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  1. Publisher: Jackson Murray
  2. Bio: I write spooky/absurd/weird/fun screenplays: THE MOTHMAN, MEAT, DREAMHOME, DOOM SQUAD. BlueCat, ScreenCraft, GenreBlast, Nightmares finalist. he/him/his

 

  • country=USA
  • Thriller, Horror
  • rating=4650 Votes
  • writer=Rob Hayes
  • Oz Perkins
  • Actor=Samuel Leakey

User Score Play Trailer Overview When Gretel falls under a dark spell and organizes a coven of witches, Hansel must find the courage to fight his twin sister and the sinister forces controlling her. Featured Crew Ben Demaree Director Jose Prendes Writer You need to be logged in to continue. Click here to login or here to sign up. Global s focus the search bar p open profile menu esc close an open window? open keyboard shortcut window On media pages b go back (or to parent when applicable) e go to edit page On TV season pages → (right arrow) go to next season ← (left arrow) go to previous season On TV episode pages → (right arrow) go to next episode ← (left arrow) go to previous episode On all image pages a open add image window On all edit pages t open translation selector ctrl + s submit form On discussion pages n create new discussion w toggle watching status p toggle public/private c toggle close/open a open activity r reply to discussion l go to last reply ctrl + enter submit your message → (right arrow) next page ← (left arrow) previous page.

 


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Gretel & hansel 2 game. Cuento infantil de Hansel y Gretel con dibujos para niños y niñas. Viñeta dibujada por mariana oviedo Cuenta una leyenda que hace much�simos a�os, cerca de un bosque tenebroso, hab�a una caba�a de madera donde viv�a una familia muy pobre. El padre, que era le�ador, trabajaba duro todos los d�as del a�o para ganar unos m�seros centavos con los que alimentar a los suyos. La madre guardaba cama porque esta muy enferma. Los hijos, un ni�o y una ni�a, apenas hab�an crecido por el hambre que pasaban. Viñeta dibujada por valu10 Una noche, mientras los ni�os se encontraban acostados, la madre dijo a su marido: -Querido, ma�ana tendr�s que abandonar a nuestros hijos en el bosque. Con lo poco que ganas apenas podemos comer. El padre se ech� las manos a la cabeza ante tal petici�n. La madre sigui� insistiendo hasta que al final el padre, abatido, acept� la exigencia. El hijo, Hansel, se encontraba despierto y oy� toda la conversaci�n. No dud� en despertar a su hermana, Gretel para contarle lo que escuch�. Viñeta dibujada por marta -�Esto es espantoso! - Dijo llorando Gretel - �Qu� haremos ma�ana? -No te preocupes, tengo un plan -Contest� su hermano, Hansel. Los hermanos volvieron a acostarse agotados por el hambre que sufr�an. Viñeta dibujada por Leonardo Fajardo Al d�a siguiente, el padre llev� a sus hijos al bosque con la excusa que le ayudasen en su tarea. Hansel cogi� un trozo de pan seco de la cocina y se lo escondi� en el bolsillo de su pantal�n. Estuvieron andando durante toda la ma�ana. Hansel, de vez en cuando, romp�a un cachito de pan y lo tiraba al suelo para dejar un rastro de camino de vuelta hacia su casa. Viñeta dibujada por melani Una vez el padre pens� que estaban lo suficientemente lejos de casa orden� empezar a trabajar. Pidi� a Gretel que recogiese setas para la cena y a Hansel, esp�rragos para la comida. Los hijos obedecieron. Pasaron pocos minutos y los hijos se encontraron completamente solos dentro de un bosque que no conoc�an. El padre hab�a desaparecido de una manera totalmente sigilosa. -�Estamos solos, hermanito! -Exclam� Gretel. -Seguiremos el rastro de migas de pan que he dejado - Contest� Hansel, tranquilizando a su asustada hermana. Continuar el cuento >> Actividades Actividades Hansel y Gretel Actividades variadas para trabajar el cuento relacionadas con la historia, protagonistas, elementos... Menú Cuentos Página principal de la sección de cuentos.

Gretel & hansel tropes. Everytime I see Terry, I hear him say he had to ask his wife about a dude that grabbed his balls... Gretel & hansel box office. Gretel and hansel movie. 3 yorum GRETEL & HANSEL - Hanzel ve Gratel Yazar ve yönetmen Osgood Perkins'in ilk filmi Blackcoat’un Kızı, Mad Men’in Kiernan Shipka’sını katolik kız okulundaki kazan dairesinden bir iblis çağırmaya çalışan seri bir katil olarak seçmişti. İkinci filmi 2016'da Ben Evde Yaşayan Güzel Şeyim'de ise Ruth Wilson, Massachusetts'te bir konakta bir hemşireyi canlandırıyordu. Perkins, üçüncü filmi Hanzel ve Gratel'le kaygılarını alt metinden yüzeye taşımış. Retitling'in dediği gibi, Gretel (Sophia Lillis), bu yenilenmiş Grimm Kardeşler masalını ele geçirdiğini iddia ediyor. Erkek kardeşi Hansel (Sammy Leakey) sadece 8 yaşında ancak o 16 yaşında ve kadınlığa ilk adımlarını atıyor. Bu süreç, masalın gençler için hain planları olan açık bir şekilde üçüncü bileşeni olan Cadı'nın (Alice Krige) gelişiyle çakışıyor. Ancak motivasyonları çocukların eti için basit bir açlığın ötesine geçiyor ve benzer şekilde Gretel ile çatışması Grimm'lerin ortaya koyduğu çatışmalardan çok daha bulanık çizgilerden ilerliyor. Perkins üçüncü filmde bu ünlü çocuk masalından bir korku yaratmayı başarmış. Siz de Hanzel ve Gratel'e farklı bir açıdan bakmak ve aynı zamanda korkmak istiyorsanız ekran başına, iyi seyirler. 1 ay önce XB VERSİYON LİNE SÜRÜMDÜR!!! KALİTELİ SÜRÜM GELDİĞİNDE GÜNCELLENECEKTİR!!! Filme Yorum Yaz Film Hakkındaki Yorumlar cansu 1 ay önce Güzel konusu senaryo ama aksiyon katıp fark yaratabilirlerdi. mali 1 ay önce Güzel film Hamza61 1 ay önce Iyi bir film güzel izlenir.

Everyone's reaction to this trailer 1:34. Gretel & hansel director. Gretel & hansel review. Gretel & hansel 2020. Antena 3 estrena el próximo lunes, 1 de diciembre, en prime time, 'Hansel y Gretel', la cuarta historia de la serie 'Cuéntame un cuento'. Esta ficción producida por Eyeworks España propone una vuelta de tuerca a los tradicionales cuentos clásicos para mostrar, con un nuevo enfoque, su vigencia en el siglo XXI. Y lo hace guardando la esencia y simbología de las fábulas pero incorporando, a su vez, giros inesperados y originales reinterpretaciones de los clásicos. A través del thriller psicológico, la ficción recrea los escenarios de los cuentos y da vida a sus protagonistas, siempre con la compañía de un narrador omnisciente quien, declamando los pasajes de las leyendas, marca el tono, a veces perverso, de cada una de las re-imaginaciones. El capítulo del próximo lunes, 'Hansel y Gretel', está protagonizado por Blanca Portillo ('7 vidas'), Marcel Borrás ('Pulseras rojas') y Aitana Hercal ('Ángel o demonio'). Las audiencias de 'Cuéntame un cuento': - 'Los tres cerditos' (10 de noviembre): 2. 736. 000 de espectadores y 14, 5% - 'Blancanieves' (17 de noviembre): 2. 468. 000 de espectadores y 13, 4% - 'Caperucita Roja' (24 de noviembre): 2. 300. 000 de espectadores y 12, 5% La nueva historia de Hansel y Gretel Dos hermanos se quedan en la calle. Después de vagar sin esperanzas llegan a la casa del bosque, una casa llena de dulces donde todo parece alegría, al principio, pues la mujer que tantas atenciones les prodiga pronto demostrará tener pérfidas intenciones... Dos jóvenes vagabundos y una mujer atormentada. En esta adaptación del famoso cuento clásico de Hansel y Gretel, dos hermanos se ven expulsados de su hogar y vagan evitando los peligros del bosque hasta llegar a una casa. La bruja es una artista con una mente enfermiza que buscará la redención de un pasado horrible. Querrá encerrar a Hansel y utilizar a Gretel para poner al chico en su punto. No para comérselo, sino para destapar una cara de maldad, lascivia y violencia oculta en las paredes de la casa.... Sinopsis de 'Hansel y Gretel' En una habitación una mujer hace las maletas apresuradamente, es la madre de los hermanos Hansel y Gretel, que les apremia para que se suban al autobús que les alejará de su casa. Cuando el motor se enciende la madre baja del autobús y les pide que no vuelvan nunca más. Los dos hermanos se bajarán en medio de la nada, y resignados a una vida lejos de su hogar, emprenderán el camino de vuelta a casa campo a través. Desorientados y cansados creerán que una casa en mitad del bosque es su salvación, no saben cuán equivocados están. Una bruja les espera en su interior. Se trata de Sara Morgade, fotógrafa de éxito venida a menos, que al principio se muestra encantadora. Los niños no saben que en realidad está tratando de ganarse su confianza... para comérselos más tarde. Blanca Portillo Los personajes del cuento Blanca Portillo es Sara Morgade (La Bruja). Sara Morgade es una fotógrafa de éxito venida a menos que vive en el bosque, en el retiro, acompañada sólo de un pasado que le persigue con culpabilidad. Se muestra libre, se muestra atractiva, pero una mente creativa y atormentada es capaz de muchas cosas, entre ellas culpar a dos niños extraviados de unos crímenes que le han hecho perder la cabeza. Marcel Borrás es Hansel. El hermano mayor peca quizás de sobreprotector. Él también se verá atraído por la casa de la libertad que les ofrece Sara, no obstante, él calla, pues hay algo que le escama. Pronto descubrirá que detrás de tanto buen gesto hay también una intención, y que no todo lo que reluce es oro, y caramelo... Lo que no se espera es convertirse en una obsesión para una bruja que quiere pagar con inocentes crímenes pasados. Ahora tendrá que escapar... Aitana Hercal es Gretel. La hermana menor es la que más sufre este abandono paterno, así, cuando encuentre una casa con una mujer que le acoge y le cuida como nunca lo habían hecho, no duda en que es el destino el que les tiene guardado un postre muy dulce. En plena alegría y color no se da cuenta de lo manipulables que pueden ser las niñas encantadas, y sólo se percatará cuando vea a Hansel preso y a punto de ser devorado por la bruja. Aunque quizás para entonces sea demasiado tarde...

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Gretel & hansel parents guide. Excellent film! Really redeemed the month of January along with Underwater for Horror Films IMO. Was it just me or was there subtle hints that this story has a part 2 ie: IT chapter 1 and 2. Im so happy rn. Gretel & hansel imdb. Gretel & hansel 2019. If you told me The Rhythm Section was a sequel to High School Musical i would have believed you. Gretel and hansel game. Con esta música me trae recuerdos de mi único y gran amor siempre te amaré.

Gretel & Hansel Theatrical release poster Directed by Oz Perkins Produced by Brian Kavanaugh-Jones Fred Berger Screenplay by Rob Hayes Based on Hansel and Gretel by The Brothers Grimm Starring Sophia Lillis Sam Leakey Charles Babalola Jessica De Gouw Alice Krige Music by Robin Coudert Cinematography Galo Olivares Edited by Josh Ethier Julia Wong Production company Orion Pictures Automatik Entertainment Bron Creative Distributed by United Artists Releasing Release date January 31, 2020 Running time 87 minutes Country Canada [1] [2] United States [2] Ireland [2] Language English Budget $5 million [3] Box office $20. 5 million [4] [5] Gretel & Hansel (also known as Gretel & Hansel: A Grim Fairy Tale) is a 2020 dark fantasy horror film based on the German folklore tale " Hansel and Gretel " by the Brothers Grimm. The film is directed by Oz Perkins, and produced by Fred Berger, Brian Kavanaugh-Jones, and Dan Kagan, with a screenplay by Rob Hayes. Sophia Lillis and Sam Leakey portray the title characters, alongside Charles Babalola, Jessica De Gouw, and Alice Krige. The story follows Gretel and Hansel as they enter a dark wood in order to find work and food, and then stumble upon the home of a witch. It was announced in October 2018 that Orion Pictures in Gretel & Hansel, a film adaptation based on the German folklore Hansel and Gretel by the Brothers Grimm, with Perkins directing the film from a screenplay he co-wrote with Hayes. At the same time, Lillis was set to star in the film, with other actors being added shortly after, and filming taking place between November and December 2018 in Dublin, Ireland. Gretel & Hansel was released in North America on January 31, 2020 by Orion Pictures through United Artists Releasing. The film had grossed $18 million worldwide and received mixed to positive reviews from critics, with praise for its visuals and cinematography, as well as the horror elements and acting, but criticism for the film's pacing. Plot [ edit] A baby that everyone in the village found to be the most precious falls terribly ill one winter. Her father took her to see an enchantress, who removed the illness but left a power within the girl. As she grew older, people in the village went to the girl because she had premonitions of the future. Because she knew everything ended in death, she used her power to kill people, including her father. The child was taken into the woods to be left alone, but she lured other children to a grim fate. After their father's death, teenage Gretel ( Sophia Lillis) and her younger brother Hansel (Sam Leakey) are going to meet a man about a job as a housekeeper. Gretel meets with the man, but he makes his true intentions clear when he asks Gretel if she is still a virgin. The two leave without a job. At night, the siblings' mother rebukes Gretel for not doing what she had to do to get a job and help provide for them. She tells Gretel that she and Hansel must leave because there is no room left in the house. The mother goes as far as threatening to hack Gretel to bits if they don't leave immediately. The siblings flee their home and find a hut to sleep in for the night. Suddenly, a ghoulish man arises and lets out a horrible scream and makes the kids run away. He chases them outside and attacks Hansel. Before he can get to Gretel, he is killed with an arrow to the head. A hunter ( Charles Babalola) rescues the siblings and takes them into his home for the night and directs them toward others who can provide them with food and work. The following morning, the siblings go outside to forage and seek work. They get frustrated when they find nothing until Gretel spots some mushrooms. They turn out to be "magic" mushrooms that cause the two to laugh hysterically. Hansel then wanders until he finds a house that has a cake smell coming from it. Gretel follows as she hears what sounds like a girl's voice beckoning her, seen alongside The Beautiful Child being taken away in a carriage. Gretel tries to stop Hansel from going inside, but he goes anyway and appears to be taken by someone. Gretel tries to start a fire to break inside, but she is greeted by Holda ( Alice Krige), the woman living inside. She invites the siblings inside for a meal and allows them to sleep there in exchange for work. Holda has Hansel go out into the woods to practice his skills with an axe, while she keeps Gretel at the house. Hansel enjoys his time there because they have plenty of food, but Gretel becomes suspicious of Holda's intentions. Gretel starts to see a vision of the Enchantress and hears children's voices guiding her somewhere, but before she finds out what's going on, she wakes up in her bed. While Hansel goes out, Holda shows Gretel how to tap into her powers as a witch. Gretel goes into the woods and manages to use her power to bring a tree branch near her so she can take a fruit. Meanwhile, Hansel also sees a vision of the Enchantress and spots a satanic carving on a nearby tree. Hansel starts to grow suspicious of Holda. Later in the night, Gretel makes her way into Holda's cellar where Hansel is sitting in a trance. Suddenly, the floor fills with goo, and a younger witch emerges, emptying buckets of guts onto the table before turning them into food, the same that Holda fed the siblings. The next day, Gretel sits with Holda, who eats something and pulls a long strand of a child's hair out of her mouth. Gretel pleads with Holda to let Hansel go, but she refuses. Through a series of visions, she tells Gretel the truth about the story of the Beautiful Child: Holda was the girl's mother, and she resented her daughter after she killed her father, and she left the girl in the woods of her own accord. However, the child lingered in Holda's mind, promising to share her powers with her if she trusted the darkness. With that, Holda devoured her other children and took on the disguise of an old woman to appear friendly and lure other children to their fates. Holda straps Gretel to a table in the cellar as she assumes her youthful appearance to lure Hansel into a cage so she can cook him. Gretel manages to use her powers to send a staff toward Holda, impaling her to the wall over the flames. Her body catches fire, and she cries in agony until she is dead, breaking the trance on Hansel and letting Gretel go free. Gretel decides to stay behind at the house while sending Hansel on his way with a horse. The horse brings him back to his old house, where his mother no longer stays. Gretel then sees the spirits of the dead children emerge from the trees, now free at last. However, her fingers turn black just like Holda's did, but her voiceover states that she will be brave and trust in herself. Cast [ edit] Sophia Lillis as Gretel, a 16-year old girl and Hansel's older sister. [6] Sam Leakey as Hansel, Gretel's 8-year old brother. Leakey is making his acting debut. [7] Charles Babalola as The Hunter, a young man who helps Gretel and Hansel early in the story. [8] Alice Krige as Holda / The Witch, a terrifying and powerful evil witch who lives in the shadows of the dark wood and kidnaps Gretel and Hansel. [7] Jessica De Gouw as Young Holda / the Witch Production [ edit] In October 2018, the Hollywood Reporter wrote that Orion Pictures had started developing a film adaptation of the German folklore tale Hansel and Gretel, with Oz Perkins directing a screenplay he had co-written with Rob Hayes, and Sophia Lillis starring as the lead character. [9] Sinister producer Brian Kavanaugh-Jones and The Autopsy of Jane Doe producer Fred Berger, partners at Automatik Entertainment, were announced as producers, with Sandra Yee Ling and Macdara Kelleher as executive producers. [10] Hayes eventually received sole screenplay credit. In November 2018, Charles Babalola was cast as the Hunter, a new character who helps Gretel and Hansel navigate the woods. [11] In April 2019, Alice Krige, Jessica De Gouw, and Sam Leakey joined the cast, with Leakey making his acting debut. [10] Perkins explained in an interview that the title was changed because this version focuses on Gretel: "It's awfully faithful to the original story. It's got really only three principal characters: Hansel, Gretel, and the Witch. We tried to find a way to make it more of a coming of age story. I wanted Gretel to be somewhat older than Hansel, so it didn't feel like two 12-year-olds – rather a 16-year-old and an 8-year-old. There was more of a feeling like Gretel having to take Hansel around everywhere she goes, and how that can impede one's own evolution, how our attachments and the things that we love can sometimes get in the way of our growth. " [12] Principal photography on the film began on November 9, 2018 in Dublin, Ireland, and wrapped in December 2018. [13] Additional filming and reshoots started in January 2019 in Langley, British Columbia [ disambiguation needed], Canada. Release [ edit] The film was released on January 31, 2020, by United Artists. [7] Reception [ edit] Box office [ edit] In the United States and Canada, the film was released alongside The Rhythm Section, and was projected to gross $4 million to $7 million from 3, 000 theaters in its opening weekend. [14] [3] The film made $2. 3 million on its first day (including $475, 000 from Thursday night previews). It debuted to $6. 1 million, finishing fourth. [15] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 63% based on 81 reviews, with an average rating of 6. 16/10. The site's critics consensus reads: " Gretel & Hansel ' s rich visuals satisfy, even if this adaptation of a classic fairytale gets a little lost in the woods on the storytelling front. " [16] On Metacritic, the film has a weighted average score of 64 out of 100, based on 16 critics, indicating "generally favorable reviews". [17] Audiences polled by CinemaScore gave the film an average grade of "C–" on an A+ to F scale. [15] Chandler Levack from The Globe and Mail wrote, "Everything about Gretel & Hansel is weirder, smarter and way more cinematic than I'd expected, thanks to some fascinating movie choices made by director Oz Perkins. " Kate Rife from The A. V. Club wrote, "If one of the boundaries being tested in this film is viewers' patience, the reward for—to use a refrain repeated throughout the film—'trusting the darkness' is well worth the commitment. " Frank Sheck of The Hollywood Reporter wrote, " Gretel & Hansel may alienate some horror movie fans with its extremely leisurely pacing and emphasis on atmosphere and mood rather than visceral shocks. But while the film certainly demands patience, it provides ample rewards with its lush stylization. " Contrarily, Andrew Barker of Variety wrote, "The problem is that so many of its virtues feel compromised, " and Mark Kennedy of The Associated Press wrote " Gretel & Hansel is as visually arresting as it is tedious, a 90-minute movie that really should have been a 3-minute music video for Marilyn Manson or Ozzy Osbourne. It's in the horror genre only loosely. It's more eerie, if that's a genre. Actually, it's like dread for 90 minutes. It's dreadful. " References [ edit] ^ " ' Gretel & Hansel' Are In Big Trouble In New Trailer".. Retrieved February 1, 2020. ^ a b c "Gretel & Hansel (2020) Film Review".. Retrieved February 1, 2020. ^ a b Rebecca Rubin (January 29, 2020). "Will Blake Lively's 'Rhythm Section' Fumble at the Box Office on Super Bowl Weekend? ". Variety. Retrieved January 29, 2020. ^ "Gretel & Hansel (2020)". Box Office Mojo. IMDb. Retrieved February 26, 2020. ^ "Gretel & Hansel (2020)". The Numbers. Retrieved February 23, 2020. ^ Kit, Borys (4 October 2018). " ' It' Breakout Sophia Lillis to Star in Fairy Tale Thriller 'Gretel and Hansel' (Exclusive)". The Hollywood Reporter. Retrieved 4 July 2019. ^ a b c Couch, Aaron (19 April 2019). "Fairytale Thriller 'Gretel and Hansel' Set 2020 Release Date (Exclusive)". Retrieved 4 July 2019. ^ Wiseman, Andreas (6 November 2018). "Charles Babalola Joins Sophia Lillis in Orion Horror 'Gretel and Hansel' From 'Sinister' & 'La La Land' Producers". Deadline Hollywood. Retrieved 4 July 2019. ^ a b Couch, Aaron (19 April 2019). Retrieved 4 July 2019. ^ Collis, Clark (August 26, 2019). " ' It' star Sophia Lillis goes to a dark place in first look at Osgood Perkins's 'Gretel & Hansel ' ". Entertainment Weekly. ^ Kay, Jeremy (9 November 2018). "Dublin shoot begins on 'Gretel And Hansel ' ". ScreenDaily. Retrieved 4 July 2019. ^ Jeremy Fuster (January 28, 2020). " ' The Rhythm Section' Arrives During Super Bowl Slump Weekend for Box Office". TheWrap. Retrieved January 29, 2020. ^ a b Anthony D'Alessandro (February 2, 2020). " ' Bad Boys for Life' Scores Over Super Bowl Weekend with $17M+; 'Rhythm Section' Is a Mess". Retrieved February 2, 2020. ^ "Gretel & Hansel (2020)". Rotten Tomatoes. Fandango. Retrieved February 1, 2020. ^ "Gretel & Hansel Reviews". Metacritic. CBS Interactive. Retrieved February 1, 2020. External links [ edit] Orion Pictures official website Gretel and Hansel on IMDb.

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I know why the names are that way round but it bothers me way more than it should

Gretel & hansel poster. Dear Odin, can you provide information where did you found out, that changing title from Hansel and Gretel to Gretel and Hansel is based on social justice reasons? Thank you in advance. Gretel & hansel 2019. Gretel & hansel soundtrack. Gretel & hansel csfd. Gretel & hansel 2020. Gretel & hansel january. Ive been watching this at least 50 times a day hoping itll hit 1mil.

Gretel & hansel (2020. Gretel and hansel showtimes. Gretel & hansel movie 2020. Eine lebende Legende dieser Typ. Ich habe vor ein paar Jahren diesen Wundervollen Menschen persöhnlich kennenlernen dürfen. Es war eine sehr schöne erfahrung. They forgot to blur a middle finger I'm calling the police. Gretel & hansel ebert. Gretel & hansel stream. Gretel and hansel plot. Ok that last scene had me grinning ear to ear. That's classic bond. The car, the gadgets, the smirk. Next part b aplod kro plz.

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About The Author The Horror Returns
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Review: There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure
Writers: Rose Glass
runtime: 84 Minutes
2019

Genres: Mystery

Can we please talk about how the visual environment makes you feel kinda safe/in peace but the music makes you stay in expectation of something terrible is about to happen. Saint Maud Download torrent finder. He may escape Pretoria but he will never escape being Harry Potter. Transforming the way people see the world, through film. Email address You can unsubscribe at any time. See our privacy policy. Saint maud download torrent download. It's in front of you, but you're not really looking, are you? TENET is a palindrome. Part of this was filmed in my home town Adelaide, South Australia! they shut down the street for the day. the scene where the paper explodes from the bin on the street.

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Saint maud download torrent software. Release Date Apr 10, 2020 Written and Directed by Rose Glass Starring Jennifer Ehle, Morfydd Clark Synopsis The debut film from writer-director Rose Glass, Saint Maud is a chilling and boldly original vision of faith, madness, and salvation in a fallen world. Maud, a newly devout hospice nurse, becomes obsessed with saving her dying patient’s soul — but sinister forces, and her own sinful past, threaten to put an end to her holy calling. Posters Related Films 2016 The Witch 2018 First Reformed.

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1 win & 1 nomination. See more awards » Edit Storyline There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly... Written by Toronto International Film Festival Plot Summary | Add Synopsis Motion Picture Rating ( MPAA) Rated R for disturbing and violent content, sexual content and language See all certifications » Details Release Date: 10 April 2020 (USA) See more » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Director Rose Glass, won the IWC Schaffhausen Filmmaker Bursary Award for this, which was presented to her by Danny Boyle. See more ».

Saint maud download torrent windows 10. A24 putting themselves on the level of god while putting billie eilish in the trailer. Critics Consensus A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass. 92% TOMATOMETER Total Count: 25 Coming soon Release date: Apr 3, 2020 Audience Score Ratings: Not yet available Saint Maud Ratings & Reviews Explanation Saint Maud Videos Photos Movie Info The debut film from writer-director Rose Glass, Saint Maud is a chilling and boldly original vision of faith, madness, and salvation in a fallen world. Maud, a newly devout hospice nurse, becomes obsessed with saving her dying patient's soul -- but sinister forces, and her own sinful past, threaten to put an end to her holy calling. Rating: R (for disturbing and violent content, sexual content and language) Genre: Directed By: Written By: In Theaters: Apr 3, 2020 wide Runtime: 83 minutes Studio: A24 Cast Critic Reviews for Saint Maud Audience Reviews for Saint Maud There are no featured reviews for Saint Maud because the movie has not released yet (Apr 3, 2020). See Movies in Theaters Saint Maud Quotes Movie & TV guides.

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Genre=Drama; Apollo 13 is a movie starring Tom Hanks, Bill Paxton, and Kevin Bacon. NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts; Year=1995; Runtime=140 min; ; Tom Hanks. Watch Full Length Apollo 13 juin. Watch full length apollo 13 2. Your mission is ours Is it really though. Watch full length apollo 13 hd. The girls were taunting John miles before he couldnt shake them and search for danger so he stopped and there they were, I think those chicks were vampires.

Watch Full Length Apollo 13. Watch Full Length Apollo 130. Watch full length apollo 13 news. Watch Full Length Apollo 13 mars. Watch full length apollo 13 movie. Watch Full Length Apollo 13 ans. Watch full length apollo 13 video. Watch Full Length Apollo 13 mai. Watch full length apollo 13 download. Watch Full Length apollo 11. I saw it when it first came out. I was bewildered as hell but knew I had experienced something extraordinary. I just watched it - to celebrate the 50th anniversary. I settled down with some sparking peach wine and watched the whole thing with complete and relaxed attention, which it how it should be watched. Wow.

Watch Full Length Apollo 13 juillet. The director of Apollo 13 is Ron Howard, main characters are Jim Lovell (Tom Hanks) Fred Haise( Bill Paxton) Jack Swigert(Kevin Bacon) and Ken Mattingly (Gray Sinise. I really liked this movie, I liked the intensity, and I liked the fact that most of the movie was up in space and it really showed how this trip to the moon was a struggle for these men this movie also showed that people down on earth were scared and worried especially the family of these men. My favorite scene was when they took off, this is a movie I would recommend to people to see, in or outside of school.

Watch full length apollo 13 live. In my long life I have witnessed many great events. I remember vividly all of the space program from Mercury right through to the Space Shuttle. In 1969 at my university collage, we all watched awestruck at the live feed of Neil Armstrong stepping off the ladder to the surface of the moon. It was being projected onto a big screen in the auditorium which was packed solid. You could have heard a pin drop. The silence was broken by someone who uttered the word, FucK. They did it! Then everyone cheered. But for me, the most seminal moment was when the Gemeni Program allowed astronauts to look out of a window for the first time. As the earth was seen through the small window for the first time Gus Grissom said these words: Only a God could have made something as beautiful at this. These words were doubly significant because Grissom was an atheist.


Watch full length apollo 13 full.
I was there - it was quite something.
Watch full length apollo 13 youtube.
Down vote because of the erros others have already mentioned.
I think this movie is fabulous! I studied the space program in college, and I got to ride in a space shuttle simulator once. I think the film did an excellent job of showing all that goes into a space mission. The one thing that disappointed me was Chris Ellis' portrayal of Deke Slayton. I met Deke Slayton once, and he was one of those men who just seemed to have an energy field around him. He was very passionate about the space program, and he had the greatest laugh. I can't imagine that he would have seemed as mild-mannered as Ellis portrayed him during such a tense situation. The Deke Slayton in the film was far too bland for me.

Watch full length apollo 13 free. Watch full length apollo 13 online. Watch full length apollo 13 watch. Watch Full Length Apollo 137. Watch Full Length Apollo 136. Watch full length apollo 13 online free. Watch Full Length Apollo 13 avril. Watch full length apollo 13 trailer. Watch Full Length Apollo 13 en ligne depuis. They've been very lucky. Watch Full Length Apollo 135. Watch Full Length apollo 13. Watch full length apollo 13 release. Watch full length apollo 13 cast. Watch Full Length Apollo 13or. Go baby Go. L love Bill paxton on this movie he's my baby.

Lockheed Martin: Your taxpayer money through hard work is ours. That's right, Apollo 13 is merely a "Reader's Digest" version of The Right Stuff. Shorter, lacking the same energy, and relying on style over substance. Tom Hanks and the rest of the cast are better-than-average, but some, particularly Bill Paxton's character, lack decent motivation. It's as though they're UNDERacting the events around them.
Overall, pretty lame that they force us through these events when anyone with a history book can give you the ending. 2.5 out of 5 stars.


Loved the appearances of all the real life characters in this story. This is great.

Watch full length apollo 13 film. I've seen Apollo 13 dozens of times, but I always tear up at the ending when they make it back safely.  It's weird.  I can't control it no matter how often I see it.  I'm just a sucker for happy endings. You couldve told me that was actually Gene kranz and I wouldve believed you. They got the PERFECT actor for him. Watch full length apollo 13. As seen on TV in Australia. lol. Watch Full Length apollo 17. Watch full length apollo 13 tv. Watch full length apollo 13 = 0. Watch full length apollo 13 review.

Apollo 13 Apollo 13's damaged service module, seen from the command module, as it was being jettisoned shortly before reentry Mission type Crewed lunar landing attempt ( H) Operator NASA COSPAR ID 1970-029A SATCAT no. 4371 [1] Mission duration 5 days, 22 hours, 54 minutes, 41 seconds [2] Spacecraft properties Spacecraft Apollo CSM -109 Apollo LM -7 Manufacturer CSM: North American Rockwell LM: Grumman Launch mass 45, 931 kilograms (101, 261 lb) [3] Landing mass 5, 050 kilograms (11, 133 lb) [4] Crew Crew size 3 Members James A. Lovell, Jr. John L. Swigert, Jr. Fred W. Haise, Jr. Callsign CM: Odyssey LM: Aquarius Start of mission Launch date April 11, 1970, 19:13:00 UTC Rocket Saturn V SA-508 Launch site Kennedy LC-39A End of mission Recovered by USS Iwo Jima Landing date April 17, 1970, 18:07:41 UTC Landing site South Pacific Ocean 21°38′24″S 165°21′42″W  /  21. 64000°S 165. 36167°W Docking with LM Docking date April 11, 1970, 22:32:08 UTC Undocking date April 17, 1970, 16:43:00 UTC Lovell, Swigert, Haise Apollo program ← Apollo 12 Apollo 14 → Apollo 13 was the seventh crewed mission in the Apollo space program and the third meant to land on the Moon. The craft was launched from Kennedy Space Center on April 11, 1970, but the lunar landing was aborted after an oxygen tank in the service module (SM) failed two days into the mission. The crew instead looped around the Moon, and returned safely to Earth on April 17. The mission was commanded by Jim Lovell with Jack Swigert as command module (CM) pilot and Fred Haise as lunar module (LM) pilot. Swigert was a late replacement for Ken Mattingly, who was grounded after exposure to rubella. Accidental ignition of damaged wire insulation inside the oxygen tank as it was being routinely stirred caused an explosion that vented the tank's contents. Without oxygen, needed both for breathing and for generating electric power, the SM's propulsion and life support systems could not operate. The CM's systems had to be shut down to conserve its remaining resources for reentry, forcing the crew to transfer to the LM as a lifeboat. With the lunar landing canceled, mission controllers worked to bring the crew home alive. Although the LM was designed to support two men on the lunar surface for two days, Mission Control in Houston improvised new procedures so it could support three men for four days. The crew experienced great hardship caused by limited power, a chilly and wet cabin and a shortage of potable water. There was a critical need to adapt the CM's cartridges for the carbon dioxide removal system to work in the LM; the crew and mission controllers were successful in improvising a solution. The astronauts' peril briefly renewed interest in the Apollo program; tens of millions watched the splashdown in the South Pacific Ocean by television. An investigative review board found fault with preflight testing of the oxygen tank and the fact that Teflon was placed inside it. The board recommended changes, including minimizing the use of potentially combustible items inside the tank; this was done for Apollo 14. The story of Apollo 13 has been dramatized several times, most notably in the 1995 film Apollo 13. Background In 1961, U. S. President John F. Kennedy challenged his nation to land an astronaut on the Moon by the end of the decade, with a safe return to Earth. [5] NASA worked towards this goal incrementally, sending astronauts into space during Project Mercury and Project Gemini, leading up to the Apollo program. [6] The goal was achieved with Apollo 11, which landed on the Moon on July 20, 1969. Neil Armstrong and Buzz Aldrin walked on the lunar surface while Michael Collins orbited the Moon in Command Module Columbia. The mission returned to Earth on July 24, 1969, fulfilling Kennedy's challenge. [5] NASA had contracted for fifteen Saturn V rockets to achieve the goal; at the time no one knew how many missions this would require. [7] Since success was obtained in 1969 with the sixth Saturn V on Apollo 11, nine rockets remained available for a hoped-for total of ten landings. After the excitement of Apollo 11, the general public grew apathetic towards the space program and Congress continued to cut NASA's budget; Apollo 20 was canceled. [8] Despite the successful lunar landing, the missions were considered so risky that astronauts could not afford life insurance to provide for their families if they died in space. [note 1] [9] Mission Operations Control Room during the TV broadcast just before the Apollo 13 accident. Astronaut Fred Haise is shown on the screen. Even before the first U. astronaut entered space in 1961, planning for a centralized facility to communicate with the spacecraft and monitor its performance had begun, for the most part the brainchild of Christopher C. Kraft, who became NASA's first flight director. During John Glenn 's Mercury Friendship 7 flight in February 1962 (the first crewed orbital flight by the U. ), Kraft was overruled by NASA managers. He was vindicated by post-mission analysis, and implemented a rule that during the mission, the flight director's word was absolute [10] —to overrule him, NASA would have to fire him on the spot. [11] Flight directors during Apollo had a one-sentence job description, "The flight director may take any actions necessary for crew safety and mission success. " [12] In 1965, Houston's Mission Control Center opened, in part designed by Kraft and now named for him. [10] In Mission Control, each flight controller, as well as monitoring telemetry from the spacecraft, was in communication via voice loop to specialists in a Staff Support Room (or "back room"), who focused on specific spacecraft systems. [11] Apollo 13 was to be the second H mission, meant to demonstrate precision lunar landings and explore specific sites on the Moon. [13] With Kennedy's goal accomplished by Apollo 11, and Apollo 12 demonstrating that the astronauts could perform a precision landing, mission planners were able to focus on more than just landing safely and having astronauts minimally trained in geology gather lunar samples to take home to Earth. There was a greater role for science on Apollo 13, especially for geology, something emphasized by the mission's motto, Ex luna, scientia (From the Moon, knowledge). [14] Astronauts and key Mission Control personnel Apollo 13's mission commander, Jim Lovell, was 42 years old at the time of the spaceflight, which was his fourth and last. He was a graduate of the United States Naval Academy and had been a naval aviator and test pilot before being selected for the second group of astronauts in 1962; he flew with Frank Borman in Gemini 7 in 1965 and Aldrin in Gemini 12 the following year before flying in Apollo 8 in 1968, the first spacecraft to orbit the Moon. [15] Jack Swigert, the command module pilot (CMP), was 38 years old and held a B. in mechanical engineering and an M. in aerospace science; he had served in the Air Force and in state Air National Guards, and was an engineering test pilot before being selected for the fifth group of astronauts in 1966. [16] Fred Haise, the lunar module pilot (LMP), was 35 years old. He held a B. in aeronautical engineering, had been a Marine Corps fighter pilot, and was a civilian research pilot for NASA when he was selected as a Group 5 astronaut. [17] Apollo 13 was Swigert's and Haise's only spaceflight. [18] Swigert, Lovell and Haise the day before launch According to the standard Apollo crew rotation, the prime crew for Apollo 13 would have been the backup crew [note 2] for Apollo 10 with Mercury and Gemini veteran Gordon Cooper in command, Donn F. Eisele as CMP and Edgar Mitchell as LMP. Deke Slayton, NASA's Director of Flight Crew Operations, never intended to rotate Cooper and Eisele to a prime crew assignment, as both were out of favor – Cooper for his lax attitude towards training, and Eisele for incidents aboard Apollo 7 and an extramarital affair. He assigned them to the backup crew because no other veteran astronauts were available. [21] Slayton's original choices for Apollo 13 were Alan Shepard as commander, Stuart Roosa as CMP, and Mitchell as LMP. However, management felt Shepard needed more training time, as he had only recently resumed active status after surgery for an inner ear disorder, and had not flown since 1961. Thus Lovell's crew (himself, Haise and Ken Mattingly) having all backed up Apollo 11 and slated for Apollo 14, was swapped with Shepard's. [21] Swigert was originally CMP of Apollo 13's backup crew, with John Young as commander and Charles Duke as lunar module pilot. [22] Seven days before launch, Duke contracted rubella from a friend of his son. [23] This exposed both the prime and backup crews, who trained together. Of the five, only Mattingly was not immune through prior exposure. Normally, if any member of the prime crew had to be grounded, the remaining crew would be replaced as well, and the backup crew substituted, but Duke's illness ruled this out, [24] so two days before launch, Mattingly was replaced by Swigert. [16] Mattingly never developed rubella and later flew on Apollo 16. [25] For Apollo, a third crew of astronauts, known as the support crew, was designated in addition to the prime and backup crews used on projects Mercury and Gemini. Slayton created the support crews because James McDivitt, who would command Apollo 9, believed that, with preparation going on in facilities across the US, meetings that needed a member of the flight crew would be missed. Support crew members were to assist as directed by the mission commander. [26] Usually low in seniority, they assembled the mission's rules, flight plan, and checklists, and kept them updated; [27] [28] for Apollo 13, they were Vance D. Brand, Jack Lousma and either William R. Pogue or Joseph Kerwin. [note 3] [33] For Apollo 13, flight directors were: Gene Kranz, White team, [34] (the lead flight director); [35] [36] Glynn Lunney, Black team; Milt Windler, Maroon team and Gerry Griffin, Gold team. [34] The CAPCOMs (the person in Mission Control, during the Apollo program an astronaut, who was responsible for voice communications with the crew) [37] for Apollo 13 were Kerwin, Brand, Lousma, Young and Mattingly. [38] Mission insignia and call signs The Apollo 13 mission insignia depicts the Greek god of the Sun, Apollo, with three horses pulling his chariot across the face of the Moon, and the Earth seen in the distance. This is meant to symbolize the Apollo flights bringing the light of knowledge to all people. The mission motto, Ex luna, scientia (From the Moon, knowledge), appears. In choosing it, Lovell adapted the motto of his alma mater, the Naval Academy, Ex scientia, tridens (From knowledge, sea power). [39] [40] On the patch, the mission number appeared in Roman numerals as Apollo XIII. It did not have to be modified after Mattingly's replacement by Swigert since it is one of only two Apollo mission insignia—the other being Apollo 11—not to include the names of the crew. It was designed by artist Lumen Martin Winter, who based it on a mural he had painted for The St. Regis Hotel in New York City. [41] The mural was later purchased by actor Tom Hanks, [42] who portrayed Lovell in the movie Apollo 13, and is now in the Captain James A. Lovell Federal Health Care Center in Illinois. [43] The mission's motto was in Lovell's mind when he chose the call sign Aquarius for the lunar module, taken from Aquarius, the bringer of water. [44] [45] Some in the media erroneously reported that the call sign was taken from a song by that name from the musical Hair. [45] [46] The command module's call sign, Odyssey, was chosen not only for its Homeric association but to refer to the recent movie, 2001: A Space Odyssey, based on a short story by science fiction author Arthur C. Clarke. [44] In his book, Lovell indicated he chose the name Odyssey because he liked the word and its definition: a long voyage with many changes of fortune. [45] Launch vehicle and spacecraft The Saturn V rocket used to carry Apollo 13 to the Moon was numbered SA-508, and was almost identical to those used on Apollo 8 through 12. [47] Including the spacecraft, the rocket weighed in at 2, 949, 136 kilograms (6, 501, 733 lb). [3] The S-IC stage's engines were rated to generate 440, 000 newtons (100, 000 lbf) less total thrust than Apollo 12's, though they remained within specifications. Extra propellant was carried as a test since future J missions to the Moon would require more propellant for their heavier payloads. This made the vehicle the heaviest yet flown by NASA and Apollo 13 was visibly slower to clear the launch tower than earlier missions. [48] The Apollo 13 spacecraft consisted of Command Module 109 and Service Module 109 (together CSM-109), called Odyssey, and Lunar Module 7 (LM-7), called Aquarius. Also considered part of the spacecraft were the launch escape system which would propel the command module (CM) to safety in the event of a problem during liftoff, and the Spacecraft–LM Adapter, numbered as SLA-16, which housed the lunar module (LM) during the first hours of the mission. [49] [50] The LM stages, CM and service module (SM) were received at Kennedy Space Center (KSC) in June 1969; the portions of the Saturn V were received in June and July. Thereafter, testing and assembly proceeded, culminating with the rollout of the launch vehicle, with the spacecraft atop it, on December 15, 1969. [49] Apollo 13 was originally scheduled for launch on March 12, 1970; in January of that year NASA announced the mission would be postponed until April 11, both to allow more time for planning and to spread the Apollo missions over a longer period of time. [51] The plan was to have two Apollo flights per year, and was in response to budgetary constraints [52] that had recently seen the cancellation of Apollo 20. [53] Training and preparation Lovell practices deploying the flag The Apollo 13 prime crew undertook over 1, 000 hours of mission-specific training, more than five hours for every hour of the mission's ten-day planned duration. Each member of the prime crew spent over 400 hours in simulators of the CM and (for Lovell and Haise) of the LM at KSC and at Houston, some of which involved the flight controllers at Mission Control. [54] Flight controllers participated in many simulations of problems with the spacecraft in flight, which taught them how to react in an emergency. [11] Specialized simulators at other locations were also used by the crew members. [54] The astronauts of Apollo 11 had minimal time for geology training, with only six months between crew assignment and launch; higher priorities took much of their time. [55] Apollo 12 saw more such training, including practice in the field, using a CAPCOM and a simulated backroom of scientists, to whom the astronauts had to describe what they saw. [56] Scientist-astronaut Harrison Schmitt saw that there was limited enthusiasm for geology field trips. Believing an inspirational teacher was needed, Schmitt arranged for Lovell and Haise to meet his old professor, Caltech 's Lee Silver. The two astronauts, and backups Young and Duke, went on a field trip with Silver at their own time and expense. At the end of their week together, Lovell made Silver their geology mentor, who would be extensively involved in the geology planning for Apollo 13. [57] Farouk El-Baz oversaw the training of Mattingly and his backup, Swigert, which involved describing and photographing simulated lunar landmarks from airplanes. [58] El-Baz had all three prime crew astronauts describe geologic features they saw during their flights between Houston and KSC; Mattingly's enthusiasm caused other astronauts, such as Apollo 14's CMP, Roosa, to seek out El-Baz as a teacher. [59] Concerned about how close Apollo 11's LM, Eagle, had come to running out of propellant during its lunar descent, mission planners decided that beginning with Apollo 13, the CSM would bring the LM to the low orbit from which the landing attempt would commence. This was a change from Apollo 11 and 12, on which the LM made the burn to bring it to the lower orbit. The change was part of an effort to increase the amount of hover time available to the astronauts as the missions headed into rougher terrain. [60] The plan was to devote the first of the two four-hour lunar surface extravehicular activities (EVAs) to setting up the Apollo Lunar Surface Experiments Package (ALSEP) group of scientific instruments; during the second, Lovell and Haise would investigate Cone crater, near the planned landing site. [61] The two astronauts wore their spacesuits for some 20 walk-throughs of EVA procedures, including sample gathering and use of tools and other equipment. They flew in the " Vomit Comet " in simulated microgravity or lunar gravity, including practice in donning and doffing spacesuits. To prepare for the descent to the Moon's surface, Lovell flew the Lunar Landing Training Vehicle (LLTV). [62] Despite the fact that four of the five LLTVs and similar Lunar Landing Research Vehicles crashed during the course of the Apollo program, mission commanders considered flying them invaluable experience. [63] Experiments and scientific objectives Lovell (left) and Haise during geology training in Hawaii, January 1970 Apollo 13's designated landing site was near Fra Mauro crater; the Fra Mauro formation was believed to contain much material spattered by the impact that had filled the Imbrium basin early in the Moon's history. Dating it would provide information not only about the Moon, but about the Earth's early history. Such material was likely to be available at Cone crater, a site where an impact was believed to have drilled deep into the lunar regolith. [64] Apollo 11 had left a seismometer on the Moon, but the solar-powered unit did not survive its first two-week-long lunar night. The Apollo 12 astronauts also left one as part of its ALSEP, which was nuclear-powered. [65] Apollo 13 also carried a seismometer (known as the Passive Seismic Experiment, or PSE), similar to Apollo 12's, as part of its ALSEP, to be left on the Moon by the astronauts. [66] That seismometer was to be calibrated by the impact, after jettison, of the ascent stage of Apollo 13's LM, an object of known mass and velocity impacting at a known location. [67] Other ALSEP experiments on Apollo 13 included a Heat Flow Experiment (HFE), which would involve drilling two holes 3. 0 metres (10 ft) deep. [68] This was Haise's responsibility; he was also to drill a third hole of that depth for a core sample. [69] A Charged Particle Lunar Environment Experiment (CPLEE) measured the protons and electrons of solar origin reaching the Moon. [70] The package also included a Lunar Atmosphere Detector (LAD) [71] and a Dust Detector, to measure the accumulation of debris. [72] The Heat Flow Experiment and the CPLEE were flown for the first time on Apollo 13; the other experiments had been flown before. [69] Haise practices removing the fuel capsule from its transport cask mounted on the LM. The real cask sank unopened into the Pacific Ocean with its radioactive contents. To power the ALSEP, the SNAP-27 radioisotope thermoelectric generator (RTG) was flown. Developed by the U. Atomic Energy Commission, SNAP-27 was first flown on Apollo 12. The fuel capsule contained about 3. 79 kilograms (8. 36 lb) of plutonium oxide. The cask placed around the capsule for transport to the Moon was built with heat shields of graphite and of beryllium, and with structural parts of titanium and of Inconel materials. Thus, it was built to withstand the heat of reentry into the Earth's atmosphere rather than pollute the air with plutonium in the event of an aborted mission. [73] A United States flag was also taken, to be erected on the Moon's surface. [74] For Apollo 11 and 12, the flag had been placed in a heat-resistant tube on the front landing leg; it was moved for Apollo 13 to the Modularized Equipment Stowage Assembly (MESA) in the LM descent stage. The structure to fly the flag on the airless Moon was improved from Apollo 12's. [75] Since Lovell and Haise were to undertake longer traverses than on the earlier missions, the tool carrier which the Apollo 12 astronauts had hand-carried was expanded, given two wheels, and dubbed the Modular Equipment Transporter. [76] For the first time, red stripes were placed on the helmet, arms and legs of the commander's A7L spacesuit. This was done as after Apollo 11, those reviewing the images taken had trouble distinguishing Armstrong from Aldrin, but the change was approved too late for Apollo 12. [77] New drink bags that attached inside the helmets and were to be sipped from as the astronauts walked on the Moon were demonstrated by Haise during Apollo 13's final television broadcast before the accident. [78] [79] Apollo 13's primary mission objectives were to: "Perform selenological inspection, survey, and sampling of materials in a preselected region of the Fra Mauro Formation. Deploy and activate an Apollo Lunar Surface Experiments Package. Develop man's capability to work in the lunar environment. Obtain photographs of candidate exploration sites. " [80] The astronauts were also to accomplish other photographic objectives, including of the Gegenschein from lunar orbit, and of the Moon itself on the journey back to Earth. Some of this photography was to be performed by Swigert as Lovell and Haise walked on the Moon. [81] Swigert was also to take photographs of the Lagrangian points of the Earth-Moon system. Apollo 13 had twelve cameras on board, including those for television and moving pictures. [69] The crew was also to downlink bistatic radar observations of the Moon. None of these was attempted because of the accident. [81] Flight of Apollo 13 The circumlunar trajectory followed by Apollo 13, drawn to scale; the accident occurred about 56 hours into the mission Apollo 13 spacecraft configuration during most of the journey Launch and translunar injection Apollo 13 launches from Kennedy Space Center, April 11, 1970 The mission was launched at the planned time, 2:13:00 pm EST (19:13:00 UTC) on April 11. An anomaly occurred when the second-stage, center (inboard) engine shut down about two minutes early. [82] [83] This was caused by severe pogo oscillations. Starting with Apollo 10, the vehicle's guidance system was designed to shut the engine down in response to chamber pressure excursions. [84] Pogo oscillations had occurred on Titan rockets (used during the Gemini program) and on previous Apollo missions, [85] [86] but on Apollo 13 they were amplified by an interaction with turbopump cavitation. [87] [88] A fix to prevent pogo was ready for the mission, but schedule pressure did not permit the hardware's integration into the Apollo 13 vehicle. [84] [89] A post-flight investigation revealed the engine was one cycle away from catastrophic failure. [84] In spite of the shutdown, the four outboard engines and the S-IVB third stage burned longer to compensate, and the vehicle achieved very close to the planned circular 190 kilometers (100 nmi) parking orbit, followed by a translunar injection (TLI) about two hours later, setting the mission on course for the Moon. [82] [83] After TLI, Swigert performed the separation and transposition maneuvers before docking the CSM Odyssey to the LM Aquarius, and the spacecraft pulled away from the third stage. Ground controllers then sent the third stage on a course to impact the Moon in range of the Apollo 12 seismometer, which it did just over three days into the mission. [91] The crew settled in for the three-day trip to Fra Mauro. At 30:40:50 into the mission, with the TV camera running, the crew performed a burn to place Apollo 13 on a hybrid trajectory. The departure from a free-return trajectory meant that if no further burns were performed, Apollo 13 would miss Earth on its return trajectory, rather than intercept it, as with a free return. [92] A free return trajectory could only reach sites near the lunar equator; a hybrid trajectory, which could be started at any point after TLI, allowed sites with higher latitudes, such as Fra Mauro, to be reached. [93] Communications were enlivened when Swigert realized that in the last-minute rush, he had omitted to file his federal income tax return (due April 15), and amid laughter from mission controllers, asked how he could get an extension. He was found to be entitled to a 60-day extension for being out of the country at the deadline. [94] Entry into the LM to test its systems had been scheduled for 58:00:00; when the crew awoke on the third day of the mission, they were informed it had been moved up three hours and was later moved up again by another hour. A television broadcast was scheduled for 55:00:00; Lovell, acting as emcee, showed the audience the interiors of Odyssey and Aquarius. [95] The audience was limited by the fact that none of the television networks were carrying the broadcast, [96] forcing Marilyn Lovell (Jim Lovell's wife) to go to the VIP room at Mission Control if she wanted to watch her husband and his crewmates. [97] Accident Approximately six and a half minutes after the TV broadcast – approaching 56:00:00 – Apollo 13 was about 180, 000 nautical miles (210, 000 mi; 330, 000 km) from Earth. [98] Haise was completing the shutdown of the LM after testing its systems while Lovell stowed the TV camera. Jack Lousma, the CAPCOM, sent minor instructions to Swigert, including changing the attitude of the craft to facilitate photography of Comet Bennett. [98] [99] The pressure sensor in one of the SM's oxygen tanks had earlier appeared to be malfunctioning, so Sy Liebergot (the EECOM, in charge of monitoring the CSM's electrical system) requested that the stirring fans in the tanks be activated. Normally this was done once daily; this additional stir would destratify the contents of the tanks, making the pressure readings more accurate. [98] The Flight Director, Kranz, had Liebergot wait a few minutes for the crew to settle down after the telecast, [100] then Lousma relayed the request to Swigert, who activated the switches controlling the fans, [98] and after a few seconds turned them off again. [99] Ninety-five seconds after Swigert activated those switches, [100] the astronauts heard a "pretty large bang", accompanied by fluctuations in electrical power and the firing of the attitude control thrusters. [101] [102] Communications and telemetry to Earth were lost for 1. 8 seconds, until the system automatically corrected by switching the high-gain S-band antenna, used for translunar communications, from narrow-beam to wide-beam mode. [103] The accident happened at 55:54:53; Swigert reported 26 seconds later, "Okay, Houston, we've had a problem here, " echoed at 55:55:42 by Lovell, "Houston, we've had a problem. We've had a Main B Bus undervolt. " [98] Lovell's initial thought on hearing the noise was that Haise had activated the LM's cabin-repressurization valve, which also produced a bang (Haise enjoyed doing so to startle his crewmates) but Lovell could see that Haise had no idea what had happened. Swigert initially thought that a meteoroid might have struck the LM, but he and Lovell quickly realized there was no leak. [104] The Main Bus B undervolt meant that there was insufficient voltage flowing from the SM's three power cells (fueled by hydrogen and oxygen piped from their respective tanks) to the second of the SM's two power distribution systems. Almost everything in the CSM required power. Although the bus momentarily returned to normal status, soon both buses A and B were short on voltage. Haise checked the status of the fuel cells, and found that two of them were dead. Mission rules forbade entering lunar orbit unless all fuel cells were operational. [105] In the minutes after the accident, there were several unusual readings, showing that tank 2 was empty and tank 1's pressure slowly falling, that the computer on the spacecraft had reset, and that the high-gain antenna was not working. Liebergot initially missed the worrying signs from tank 2 following the stir, as he was focusing on tank 1, believing that its reading would be a good guide to what was present in tank 2; so did controllers supporting him in the "back room". When Kranz questioned Liebergot on this he initially responded that there might be false readings due to an instrumentation problem; he was often teased about that in the years to come. [11] Lovell, looking out the window, reported "a gas of some sort" venting into space, making it clear that there was a serious problem. [106] Since the fuel cells needed oxygen to operate, when Oxygen Tank 1 ran dry, the remaining fuel cell would shut down, meaning the CSM's only significant sources of power and oxygen would be the CM's batteries and its oxygen "surge tank". These would be needed for the final hours of the mission, but the remaining fuel cell, already starved for oxygen, was drawing from the surge tank. Kranz ordered the surge tank isolated, saving its oxygen, but this meant that the remaining fuel cell would die within two hours, as the oxygen in tank 1 was consumed or leaked away. [105] The volume surrounding the spacecraft was filled with myriad small bits of debris from the accident, complicating any efforts to use the stars for navigation. [107] The mission's goal became simply getting the astronauts back to Earth alive. [108] Looping around the Moon This depiction of a direct abort (from a 1966 planning report) contemplates returning from a point much earlier in the mission, and closer to Earth, than where the Apollo 13 accident occurred. NASA - Apollo 13 Lunar Mission - Views Of The Moon (2:24; February 24, 2020) The lunar module had charged batteries and full oxygen tanks for use on the lunar surface, so Kranz directed that the astronauts power up the LM and use it as a "lifeboat" [11] – a scenario anticipated but considered unlikely. [109] Procedures for using the LM in this way had been developed by LM flight controllers after a training simulation for Apollo 10 in which the LM was needed for survival, but could not be powered up in time. [108] Had Apollo 13's accident occurred on the return voyage, with the LM already jettisoned, the astronauts would have died. [110] A key decision was the choice of return path. A "direct abort" would use the SM's main engine (the Service Propulsion System or SPS) to return before reaching the Moon. But the accident could have damaged the SPS, and the fuel cells would have to last at least another hour to meet its power requirements, so Kranz instead decided on a longer route: the spacecraft would swing around the Moon before heading back to Earth. Apollo 13 was on the hybrid trajectory which was to take it to Fra Mauro; it now needed to be brought back to a free return. The LM's Descent Propulsion System (DPS), although not as powerful as the SPS, could do this, but new software for Mission Control's computers needed to be written by technicians as it had never been contemplated that the CSM/LM spacecraft would have to be maneuvered by the DPS. As the CM was being shut down, Lovell copied down its guidance system's orientation information and performed hand calculations to transfer it to the LM's guidance system, which had been turned off; at his request Mission Control checked his figures. [108] [111] At 61:29:43. 49 the DPS burn of 34. 23 seconds took Apollo 13 back to a free return trajectory. [112] The Apollo 13 crew photographed the Moon out of the Lunar Module. The change would get Apollo 13 back to Earth in about four days' time – though with splashdown in the Indian Ocean, where NASA had few recovery forces. Jerry Bostick and other Flight Dynamics Officers (FIDOs) were anxious both to shorten the travel time and to move splashdown to the Pacific Ocean, where the main recovery forces were located. One option would shave 36 hours off the return time, but required jettisoning the SM; this would expose the CM's heat shield to space during the return journey, something for which it had not been designed. The FIDOs also proposed other solutions. After a meeting involving NASA officials and engineers, the senior individual present, Manned Spaceflight Center director Robert R. Gilruth, decided on a burn using the DPS, that would save 12 hours and land Apollo 13 in the Pacific. This "PC+2" burn would take place two hours after pericynthion, the closest approach to the Moon. [108] At pericynthion, Apollo 13 set the record (per the Guinness Book of World Records), which still stands, for the highest absolute altitude attained by a crewed spacecraft: 400, 171 kilometers (248, 655 mi) from Earth at 7:21 pm EST, April 14 (00:21:00 UTC April 15). [113] [note 4] While preparing for the burn the crew was told that the S-IVB had impacted the Moon as planned, leading Lovell to quip, "Well, at least something worked on this flight. " [116] [117] Kranz's White team of mission controllers, which had spent most of their time supporting other teams and developing the procedures urgently needed to get the astronauts home, took their consoles for the PC+2 procedure. [118] Normally, the accuracy of such a burn could be assured by checking the alignment Lovell had transferred to the LM's computer against the position of one of the stars astronauts used for navigation, but the light glinting off the many pieces of debris accompanying the spacecraft made that impractical. The astronauts used the one star available whose position could not be obscured – the Sun. Houston also informed them that the Moon would be centered in the commander's window of the LM as they made the burn, which was almost perfect – less than 0. 3 meters (a foot) per second off. [116] The burn, at 79:27:38. 95, lasted four minutes, 23 seconds. [119] The crew then shut down most LM systems to conserve consumables. [116] Return to earth Swigert with the rig improvised to adapt the CM's lithium hydroxide canisters for use in the LM The LM carried enough oxygen, but that still left the problem of removing carbon dioxide, which was absorbed by canisters of lithium hydroxide pellets. The LM's stock of canisters, meant to accommodate two astronauts for 45 hours on the Moon, was not enough to support three astronauts for the return journey to Earth. [120] The CM had enough canisters, but they were the wrong shape and size to work in the LM's equipment. Engineers on the ground devised a way to bridge the gap, using plastic, covers ripped from procedures manuals, duct tape, and other items. [121] [122] NASA engineers referred to the improvised device as "the mailbox". The procedure for building the device was read to the crew by CAPCOM Joe Kerwin over the course of an hour, and it was built by Swigert and Haise; carbon dioxide levels began dropping immediately. Lovell later described this improvisation as "a fine example of cooperation between ground and space". [123] Lovell tries to rest in the frigid spacecraft The CSM's electricity came from fuel cells that produced water as a byproduct, but the LM was powered by silver-zinc batteries, that did not. so both electrical power and water (needed for equipment cooling as well as drinking) would be critical. LM power consumption was reduced to the lowest level possible; [124] Swigert was able to fill some drinking bags with water from the CM's water tap, [116] but even assuming rationing of personal consumption, Haise initially calculated they would run out of water for cooling about five hours before reentry. This seemed acceptable because the systems of Apollo 11's LM, once jettisoned in lunar orbit, had continued to operate for seven to eight hours even with the water cut off. In the end, Apollo 13 returned to Earth with 12. 8 kilograms (28. 2 lb) of water remaining. [125] The crew's ration was 0. 2 liters of water per person per day; the three astronauts lost a total of 14 kilograms (31 lb) among them, and Haise developed a urinary tract infection. [126] [127]. This infection was probably caused by the reduced water intake, but microgravity and effects of cosmic radiation might have impaired his immune system's reaction to the pathogen. [128] Apollo 13: Houston, We've Got a Problem (1970) — Documentary about the mission by NASA (28:21) Inside the darkened spacecraft, the temperature dropped as low as 3 °C (38 °F). Lovell considered having the crew don their spacesuits, but decided this would be too hot. Instead, Lovell and Haise wore their lunar EVA boots and Swigert put on an extra coverall. All three astronauts were cold, especially Swigert, who had got his feet wet while filling the water bags and had no lunar overshoes (since he had not been scheduled to walk on the Moon). As they had been told not to discharge their urine to space to avoid disturbing the trajectory, they had to store it in bags. Water condensed on the walls, though any condensation there may have been behind equipment panels [129] caused no problems, partly because of the extensive electrical insulation improvements instituted after the Apollo 1 fire. [130] Despite all this the crew voiced few complaints. [131] Flight controller John Aaron, along with Mattingly and several engineers and designers, devised a procedure for powering up the command module from full shutdown – something never intended to be done in flight, much less under Apollo 13's severe power and time constraints. [132] The astronauts implemented the procedure without apparent difficulty: Kranz later credited the fact that all three astronauts had been test pilots, accustomed to having to work in critical situations with their lives on the line, for their survival. [131] Reentry and splashdown Despite the accuracy of the transearth injection, the spacecraft slowly drifted off course, necessitating a correction. As the LM's guidance system had been shut down following the PC+2 burn, the crew was told to use the line between night and day on the Earth to guide them, a technique used on NASA's earth-orbit missions but never on the way back from the Moon. [131] This DPS burn, at 105:18:42 for 14 seconds, brought the projected entry flight path angle back within safe limits. Nevertheless, yet another burn was needed at 137:40:13, using the LM's reaction control system (RCS) thrusters, for 21. 5 seconds. The SM was jettisoned less than half an hour later, allowing the crew to see the damage for the first time, and photograph it. They reported that an entire panel was missing from the SM's exterior, the fuel cells above the oxygen tank shelf were tilted, that the high-gain antenna was damaged, and there was a considerable amount of debris elsewhere. [133] Haise could see damage to the SM's engine bell, validating Kranz's decision not to use the SPS. [131] Apollo 13 splashes down in the South Pacific on April 17, 1970 The last problem to be solved was how to separate the lunar module a safe distance away from the command module just before reentry. The normal procedure, in lunar orbit, was to release the LM then use the service module's RCS to pull the CSM away, but by this point the SM had already been released. Grumman, manufacturer of the LM, assigned a team of University of Toronto engineers, led by senior scientist Bernard Etkin, to solve the problem of how much air pressure to use to push the modules apart. The astronauts applied the solution, which was successful. [134] The LM reentered Earth's atmosphere and was destroyed, the remaining pieces falling in the deep ocean. [135] [110] Apollo 13's final midcourse correction had addressed the concerns of the Atomic Energy Commission, which wanted the cask containing the plutonium oxide intended for the SNAP-27 RTG to land in a safe place. The impact point was over the Tonga Trench in the Pacific, one of its deepest points, and the cask sank 10 kilometers (6 mi) to the bottom. Later helicopter surveys found no radioactive leakage. [131] Ionization of the air around the command module during reentry would typically cause a four-minute communications blackout. Apollo 13's shallow reentry path lengthened this to six minutes, longer than had been expected; controllers feared that the CM's heat shield had failed. [136] Odyssey regained radio contact and splashed down safely in the South Pacific Ocean, 21°38′24″S 165°21′42″W  /  21. 36167°W, [137] southeast of American Samoa and 6. 5 km (3. 5 nmi) from the recovery ship, USS Iwo Jima. [138] Although fatigued, the crew was in good condition except for Haise, who was suffering from a serious urinary tract infection because of insufficient water intake. [127] The crew stayed overnight on the ship and flew to Pago Pago, Samoa, the next day. They flew to Hawaii, where President Richard Nixon awarded them the Presidential Medal of Freedom, the highest civilian honor. [139] They stayed overnight, and then were flown back to Houston. [140] En route to Honolulu, President Nixon stopped at Houston to award the Presidential Medal of Freedom to the Apollo 13 Mission Operations Team. [141] He originally planned to give the award to NASA administrator Dr. Thomas O. Paine, but Paine recommended the mission operations team. [142] Public and media reaction Nobody believes me, but during this six-day odyssey we had no idea what an impression Apollo 13 made on the people of Earth. We never dreamed a billion people were following us on television and radio, and reading about us in banner headlines of every newspaper published. We still missed the point on board the carrier Iwo Jima, which picked us up, because the sailors had been as remote from the media as we were. Only when we reached Honolulu did we comprehend our impact: there we found President Nixon and [NASA Administrator] Dr. Paine to meet us, along with my wife Marilyn, Fred's wife Mary (who being pregnant, also had a doctor along just in case), and bachelor Jack's parents, in lieu of his usual airline stewardesses. —  Jim Lovell [127] Worldwide interest in the Apollo program was reawakened by the incident; television coverage of which was seen by millions. Four Soviet ships headed toward the landing area to assist if needed, [143] and other nations offered assistance should the craft have to splash down elsewhere. [144] President Nixon canceled appointments, phoned the astronauts' families, and drove to NASA's Goddard Space Flight Center in Greenbelt, Maryland, where Apollo's tracking and communications were coordinated. [143] The rescue received more public attention than any spaceflight to that point, other than the first Moon landing on Apollo 11. There were worldwide headlines, and people surrounded television sets to get the latest developments, offered by networks who interrupted their regular programming for bulletins. Pope Paul VI led a congregation of 10, 000 people in praying for the astronauts' safe return; ten times that number offered prayers at a religious festival in India. [145] The United States Senate on April 14 passed a resolution urging businesses to pause at 9:00 pm local time that evening to allow for employee prayer. [143] An estimated 40 million Americans watched Apollo 13's splashdown, carried live on all three networks, with another 30 million watching some portion of the six and one-half hour telecast. Even more outside the U. watched. Jack Gould of The New York Times stated that Apollo 13, "which came so close to tragic disaster, in all probability united the world in mutual concern more fully than another successful landing on the Moon would have". [146] Investigation and response Review board Oxygen tank number 2, showing heater and thermostat unit Immediately upon the crew's return, NASA Administrator Paine and Deputy Administrator George Low appointed a review board – chaired by NASA Langley Research Center Director Edgar M. Cortright and including Neil Armstrong and six others [note 5] – to investigate the accident. The board's final report, sent to Paine on June 15, [148] found that the failure began in the service module's number 2 oxygen tank. [149] Damaged Teflon insulation on the wires to the stirring fan inside Oxygen Tank 2 allowed the wires to short-circuit and ignite this insulation. The resulting fire quickly increased pressure inside the tank and the tank dome failed, filling the fuel cell bay (SM Sector 4) with rapidly expanding gaseous oxygen and combustion products. The escaping gas was probably enough by itself to blow out the aluminum exterior panel to Sector 4, but combustion products generated as nearby insulation ignited would have added to the pressure. The panel's departure exposed the sector to space, snuffing out the fire, and it probably hit the nearby high-gain antenna, disrupting communications to Earth for 1. 8 seconds. [150] The sectors of the SM were not airtight from each other, and had there been time for the entire SM to become as pressurized as Sector 4, the force on the CM's heat shield would have separated the two modules. The report questioned the use of Teflon and other materials shown to be flammable in supercritical oxygen, such as aluminum, within the tank. [151] The board found no evidence pointing to any other theory of the accident. [152] Panel similar to the SM Sector 4 cover being ejected during a test performed as part of the investigation Mechanical shock forced the oxygen valves closed on the number 1 and number 3 fuel cells, putting them out of commission. [153] The sudden failure of Oxygen Tank 2 compromised Oxygen Tank 1, causing its contents to leak out, possibly through a damaged line or valve, over the next 130 minutes, entirely depleting the SM's oxygen supply. [154] [155] With both SM oxygen tanks emptying, and with other damage to the SM, the mission had to be aborted. [156] The board praised the response to the emergency, "The imperfection in Apollo 13 constituted a near disaster, averted only by outstanding performance on the part of the crew and the ground control team which supported them. " [157] Oxygen Tank 2 was manufactured by the Beech Aircraft Company of Boulder, Colorado, as subcontractor to North American Rockwell (NAR) of Downey, California, prime contractor for the CSM. [158] It contained two thermostatic switches, originally designed for the command module's 28-volt DC power, but which could fail if subjected to the 65 volts used during ground testing at KSC. [159] Under the original 1962 specifications, the switches would be rated for 28 volts, but revised specifications issued in 1965 called for 65 volts to allow for quicker tank pressurization at KSC. Nonetheless, the switches Beech used were not rated for 65 volts. [160] At NAR's facility, Oxygen Tank 2 had been originally installed in an oxygen shelf placed in the Apollo 10 service module, SM-106, but which was removed to fix a potential electromagnetic interference problem and another shelf substituted. During removal, the shelf was accidentally dropped at least 5 centimeters (2 in) because a retaining bolt had not been removed. The probability of damage from this was low, but it is possible that the fill line assembly was loose and made worse by the fall. After some retesting (which did not include filling the tank with liquid oxygen), in November 1968 the shelf was re-installed in SM-109, intended for Apollo 13, which was shipped to KSC in June 1969. [161] The Countdown Demonstration Test took place with SM-109 in its place near the top of the Saturn V and began on March 16, 1970. During the test, the cryogenic tanks were filled, but Oxygen Tank 2 could not be emptied through the normal drain line, and a report was written documenting the problem. After discussion among NASA and the contractors, attempts to empty the tank resumed on March 27. When it would not empty normally, the heaters in the tank were turned on to boil off the oxygen. The thermostatic switches were designed to prevent the heaters from raising the temperature higher than 27 °C (80 °F), but they failed under the 65-volt power supply applied. Temperatures on the heater tube within the tank may have reached 540 °C (1, 000 °F), most likely damaging the Teflon insulation. [159] The temperature gauge was not designed to read higher than 29 °C (85 °F), so the technician monitoring the procedure detected nothing unusual. This heating had been approved by Lovell and Mattingly of the prime crew, as well as by NASA managers and engineers. [162] [163] Replacement of the tank would have delayed the mission by at least a month. [126] The tank was filled with liquid oxygen again before launch; once electric power was connected, it was in a hazardous condition. [156] The board found that Swigert's activation of the Oxygen Tank 2 fan at the request of Mission Control caused an electric arc that set the tank on fire. [164] The board conducted a test of an oxygen tank rigged with hot-wire ignitors that caused a rapid rise in temperature within the tank, after which it failed, producing telemetry similar to that seen with the Apollo 13 Oxygen Tank 2. [165] Tests with panels similar to the one that was seen to be missing on SM Sector 4 caused separation of the panel in the test apparatus. [166] Changes in response Redesigned oxygen tank for Apollo 14 For Apollo 14 and subsequent missions, the oxygen tank was redesigned, the thermostats being upgraded to handle the proper voltage. The heaters were retained since they were necessary to maintain oxygen pressure. The stirring fans, with their unsealed motors, were removed, which meant the oxygen quantity gauge was no longer accurate. This required adding a third tank so that no tank would go below half full. [167] The third tank was placed in Bay 1 of the SM, on the side opposite the other two, and was given an isolation valve that could isolate it from the fuel cells and from the other two oxygen tanks in an emergency, and allow it to feed the CM's environmental system only. The quantity probe was upgraded from aluminum to stainless steel. [168] All electrical wiring in Bay 4 was sheathed in stainless steel. The fuel cell oxygen supply valves were redesigned to isolate the Teflon-coated wiring from the oxygen. The spacecraft and Mission Control monitoring systems were modified to give more immediate and visible warnings of anomalies. [167] An emergency supply of 19 litres (5 US gal) of water was stored in the CM, and an emergency battery, identical to those that powered the LM's descent stage, was placed in the SM. The LM was modified to make transfer of power from LM to CM easier. [169] Devices were placed in the S-II second stage to counteract pogo oscillations. [170] Aftermath On February 5, 1971, Apollo 14 's LM, Antares, landed on the Moon with astronauts Alan Shepard and Edgar Mitchell aboard, near Fra Mauro, the site Apollo 13 had been intended to explore. [171] Haise served as CAPCOM during the descent to the Moon, [172] and during the second EVA, during which Shepard and Mitchell explored near Cone crater. [173] None of the Apollo 13 astronauts flew in space again. Lovell retired from NASA and the Navy in 1973, entering the private sector. [174] Swigert was to have flown on the Apollo-Soyuz Test Project (the first joint mission with the Soviet Union) but was removed as part of the fallout from the Apollo 15 postal covers incident. He took a leave of absence from NASA in 1973 and left the agency to enter politics, being elected to the House of Representatives in 1982, but died of cancer before he could be sworn in. [175] Haise was slated to have been the commander of the canceled Apollo 19 mission, and flew the Space Shuttle Approach and Landing Tests before retiring from NASA in 1979. [176] Several experiments were completed even though the mission did not land on the Moon. [177] One involved the launch vehicle's S-IVB (the Saturn V's third stage) which on prior missions had been sent into solar orbit once detached. The seismometer left by Apollo 12 had detected frequent impacts of small objects onto the Moon, but larger impacts would yield more information about the Moon's crust, so it was decided that beginning with Apollo 13, the S-IVB would be crashed into the Moon. [178] The impact occurred at 77:56:40 into the mission and produced enough energy that the gain on the seismometer, 117 kilometers (73 mi) from the impact, had to be reduced. [91] An experiment to measure the amount of atmospheric electrical phenomena during the ascent to orbit – added after Apollo 12 was struck by lightning – returned data indicating a heightened risk during marginal weather. A series of photographs of Earth, taken to test whether cloud height could be determined from synchronous satellites, achieved the desired results. [177] The Apollo 13 command module Odyssey on display at the Cosmosphere in Hutchinson, Kansas The CM's interior components were removed during the investigation of the accident and reassembled into boilerplate BP-1102A, the water egress training module, which was subsequently on display at the Museum of Natural History and Science in Louisville, Kentucky, until 2000. Meanwhile, the exterior shell was displayed at the Musée de l'air et de l'espace, in Paris. The command module shell and the internal components were reassembled, and Odyssey is currently on display at the Cosmosphere in Hutchinson, Kansas. [179] Apollo 13 was called a "successful failure" by Lovell. [180] It has been repeatedly called, "NASA's finest hour". [181] [182] [183] [184] Author Colin Burgess wrote, "the life-or-death flight of Apollo 13 dramatically evinced the colossal risks inherent in manned spaceflight. Then, with the crew safely back on Earth, public apathy set in once again. " [185] William R. Compton, in his book about the Apollo Program, said of Apollo 13, "Only a heroic effort of real-time improvisation by mission operations teams saved the crew. " [186] Rick Houston and Milt Heflin, in their history of Mission Control, stated, "Apollo 13 proved mission control could bring those space voyagers back home again when their lives were on the line. " [187] Former NASA chief historian Roger D. Launius wrote, "More than any other incident in the history of spaceflight, recovery from this accident solidified the world's belief in NASA's capabilities". [188] Nevertheless, the accident convinced some officials, such as Manned Spaceflight Center director Gilruth, that if NASA kept sending astronauts on Apollo missions, some would inevitably be killed, and they called for as quick an end as possible to the program. [188] Nixon's advisers recommended canceling the remaining lunar missions, saying that a disaster in space would cost him political capital. [189] Budget cuts made such a decision easier, and during the pause after Apollo 13, two missions were canceled, meaning that the program ended with Apollo 17 in December 1972. [188] [190] Popular culture and media Command module replica used during Apollo 13 filming The 1974 movie Houston, We've Got a Problem, while set around the Apollo 13 incident, is a fictional drama about the crises faced by ground personnel when the emergency disrupts their work schedules and places further stress on their lives. Lovell publicly complained about the movie, saying it was "fictitious and in poor taste". [191] [192] "Houston... We've Got a Problem" was the title of an episode of the BBC documentary series A Life At Stake, broadcast in March 1978. This was an accurate, if simplified, reconstruction of the events. [193] In 1994, during the 25th anniversary of Apollo 11, PBS released a 90-minute documentary titled Apollo 13: To the Edge and Back. [194] [195] Following the flight, the crew planned to write a book, but they all left NASA without starting it. After Lovell retired in 1991, he was approached by journalist Jeffrey Kluger about writing a non-fiction account of the mission. Swigert died in 1982 and Haise was no longer interested in such a project. The resultant book, Lost Moon: The Perilous Voyage of Apollo 13, was published in 1994. [196] The next year, in 1995, a film adaptation of the book, Apollo 13, was released, directed by Ron Howard and starring Tom Hanks as Lovell, Bill Paxton as Haise, Kevin Bacon as Swigert, Gary Sinise as Mattingly, Ed Harris as Kranz, and Kathleen Quinlan as Marilyn Lovell. James Lovell, Kranz, and other principals have stated that this film depicted the events of the mission with reasonable accuracy, given that some dramatic license was taken. For example, the film changes the tense of Lovell's famous follow-up to Swigert's original words from, "Houston, we've had a problem" to " Houston, we have a problem ". [98] [197] The film also invented the phrase " Failure is not an option ", uttered by Harris as Kranz in the film; the phrase became so closely associated with Kranz that he used it for the title of his 2000 autobiography. [197] The film won two of the nine Academy Awards it was nominated for, Best Film Editing and Best Sound. [198] [199] In the 1998 miniseries From the Earth to the Moon, co-produced by Hanks and Howard, the mission is dramatized in the episode "We Interrupt This Program". Rather than showing the incident from the crew's perspective as in the Apollo 13 feature film, it is instead presented from an Earth-bound perspective of television reporters competing for coverage of the event. [200] Gallery Lovell practices deploying the ALSEP during training The Apollo 13 launch vehicle being rolled out, December 1969 Lunar module Aquarius after it was jettisoned above the Earth Mission Control celebrates the successful splashdown The crew speaking with President Nixon shortly after their return Replica of the lunar plaque with Swigert's name that was to cover the one attached to Aquarius with Mattingly's name Notes ^ No Apollo astronaut flew without life insurance, but the policies were paid for by private third parties whose involvement was not publicized. [9] ^ The role of the backup crew was to train and be prepared to fly in the event something happened to the prime crew. [19] Backup crews, according to the rotation, were assigned as the prime crew three missions after their assignment as backups. [20] ^ Some sources list Kerwin [29] and others list Pogue as the third member [30] [31] [32] ^ The record was set because the Moon was nearly at its furthest from Earth during the mission. Apollo 13's unique free return trajectory caused it to go approximately 100 kilometers (60 mi) further from the lunar far side than other Apollo lunar missions, but this was a minor contribution to the record. [114] A reconstruction of the trajectory by astrodynamicist Daniel Adamo in 2009 records the furthest distance as 400, 046 kilometers (248, 577 mi) at 7:34 pm EST (00:34:13 UTC). Apollo 10 holds the record for second-furthest at a distance of 399, 806 kilometers (248, 428 mi). [115] ^ The others were Robert F. Allnutt (Assistant to the Administrator, NASA Hqs. ); Dr. John F. Clark (Director, Goddard Space Flight Center); Brig. General Walter R. Hedrick Jr. (Director of Space, DCS/RED, Hqs., USAF); Vincent L. Johnson (Deputy Associate Administrator-Engineering, Office of Space Science and Applications); Milton Klein (Manager, AEC-NASA Space Nuclear Propulsion Office); Dr. Hans M. Mark (Director, Ames Research Center). [147] References ^ "Apollo 13 CM".. Retrieved August 18, 2019. ^ Orloff 2000, p. 309. ^ a b Orloff 2000, p. 284. ^ Orloff 2000, p. 307. ^ a b "Apollo 11 Mission Overview". NASA. December 21, 2017. Retrieved February 14, 2019. ^ "Mercury and Gemini". The Space Race. National Air and Space Museum. Retrieved February 11, 2019. ^ Chaikin 1998, pp. 232–233. ^ Chaikin 1998, p. 285. ^ a b Weinberger, Howard C. "Apollo Insurance Covers". Space Flown Artifacts (Chris Spain). Retrieved December 11, 2019. ^ a b Neufeld, Michael J. (July 24, 2019). "Remembering Chris Kraft: Pioneer of Mission Control". Smithsonian Air and Space Museum. Retrieved December 8, 2019. ^ a b c d e Cass, Stephen (April 1, 2005). "Houston, we have a solution". IEEE. Retrieved August 30, 2019. ^ Williams, Mike (September 13, 2012). "A legendary tale, well-told". Rice University Office of Public Affairs. Retrieved October 5, 2019. ^ Apollo Program Summary Report 1975, p. B-2. ^ Launius 2019, p. 186. ^ Apollo 13 Press Kit 1970, pp. 108–109. ^ a b "Astronaut Bio: John L. Swigert". January 1983. Archived from the original on July 31, 2009. Retrieved August 21, 2009. ^ Apollo 13 Press Kit 1970, pp. 111–112. ^ Chaikin 1998, pp. 589–593. ^ "50 years ago: NASA names Apollo 11 crew". January 30, 2019. Retrieved December 5, 2019. ^ Slayton & Cassutt 1994, p. 137. ^ a b Slayton & Cassutt 1994, p. 236. ^ "Apollo 13 Crew". Smithsonian National Air and Space Museum. Retrieved January 6, 2018. ^ "Charles M. Duke, Jr. Oral History". Retrieved December 17, 2019. ^ NASA 1970, p. 6. ^ Atkinson, Nancy (April 12, 2010). "13 things that saved Apollo 13, Part 3: Charlie Duke's measles". Universe Today. Retrieved November 13, 2019. ^ Slayton & Cassutt 1994, p. 184. ^ Hersch, Matthew (July 19, 2009). "The fourth crewmember". Air & Space/Smithsonian. Retrieved October 4, 2019. ^ Brooks, Grimwood, & Swenson 1979, p. 261. ^ Slayton & Cassutt 1994, p. 251. ^ Brooks, Grimwood, & Swenson 1979, p. 378. ^ Orloff 2000, p. 137. ^ "Oral History Transcript" (PDF) (Interview). Johnson Space Center Oral History Project. Interviewed by Kevin M. Rusnak. Houston, Texas: NASA. July 17, 2000. pp. 12-25–12-26. Archived from the original (PDF) on May 1, 2019. ^ "MSC 69–56" (PDF) (Press release). August 6, 1969. Retrieved July 27, 2019. ^ a b Mission Operations Report 1970, p. I-1. ^ Kranz 2000, p. 307. ^ Lovell & Kluger 2000, p. 79. ^ Morgan 2001, p. 48. ^ Orloff & Harland 2006, p. 362. ^ Lovell & Kluger 2000, p. 81. ^ Orloff 2000, p. 283. ^ Crafton, Jean (April 12, 1970). "Astros Wear Badge of Apollo". Daily News. New York, New York. p. 105 – via ^ Moran, Dan (October 2, 2015). "Apollo 13 astronaut Jim Lovell shares stories about Tom Hanks, Ron Howard". Chicago Tribune. ^ Moran, Dan (October 2, 2015). "Namesake Brings Personal Touch to Lovell Center Fete". Chicago Tribune. p. 1-1 – via ^ a b Chaikin 1998, p. 291. ^ a b c Lovell & Kluger 2000, p. 87. ^ Lattimer 1988, p. 77. ^ Apollo 13 Press Kit 1970, p. 74. ^ "Day 1: Earth orbit and translunar injection". Apollo Lunar Flight Journal. February 17, 2017. Retrieved July 28, 2019. ^ a b Orloff & Harland 2006, p. 364. ^ Apollo 13 Press Kit 1970, pp. 78, 81. ^ "MSC 70–9" (PDF) (Press release). January 8, 1970. Retrieved July 27, 2019. ^ "Apollo's Schedule Shifted by NASA". The New York Times. January 9, 1970. p. 17. ^ "Apollo 13 and 14 may be set back". UPI. January 6, 1970. p. 26. ^ a b Apollo 13 Press Kit 1970, p. 104. ^ Phinney 2015, p. 100. ^ Phinney 2015, pp. 103–104. ^ Phinney 2015, pp. 107–111. ^ Phinney 2015, p. 134. ^ Phinney 2015, pp. 141–142. ^ Harland 1999, p. 53. ^ Orloff & Harland 2006, p. 363. ^ Apollo 13 Press Kit 1970, p. 105. ^ Jones, Eric M. (April 29, 2006). "Lunar Landing Training Vehicle NASA 952". Apollo Lunar Surface Journal. Retrieved July 20, 2019. ^ Harland 1999, pp. 51–53. ^ Harland 1999, pp. 38–39. ^ Apollo 13 Press Kit 1970, p. 29. ^ Apollo 13 Press Kit 1970, p. 42. ^ Apollo 13 Press Kit 1970, p. 33. ^ a b c Science News 1970-04-04, p. 354. ^ Apollo 13 Press Kit 1970, p. 49. ^ Apollo 13 Press Kit 1970, p. 51. ^ Apollo 13 Press Kit 1970, p. 62. ^ Apollo 13 Press Kit 1970, p. 65. ^ Apollo 13 Press Kit 1970, pp. 33, 65. ^ Apollo 13 Press Kit 1970, p. 73. ^ Phinney 2015, p. 81. ^ Jones, Eric M. (February 20, 2006). "Commander's stripes". Retrieved July 20, 2019. ^ Turnill 2003, p. 316. ^ Jones, Eric M. (March 3, 2010). "Water Gun, Helmet Feedport, In-Suit Drink Bag, and Food Stick". Retrieved November 15, 2019. ^ Accident report, p. 3-26. ^ a b Orloff & Harland 2006, p. 385. ^ a b Saturn 5 Launch Vehicle Flight Evaluation Report: AS-508 Apollo 13 Mission. George C. Marshall Space Flight Center. Huntsville, Alabama: NASA. June 20, 1970. MPR-SAT-FE-70-2. Retrieved May 30, 2017. ^ a b Benson & Faherty 1979, pp. 494–499. ^ a b c Larsen 2008, p. 5-13. ^ Fenwick, Jim (Spring 1992). "Pogo". Threshold. Pratt & Whitney Rocketdyne. Archived from the original on December 13, 2007. Retrieved July 3, 2013. ^ Larsen 2008, pp. 5-7–5-12. ^ Dotson, Kirk (Winter 2003–2004). "Mitigating Pogo on Liquid-Fueled Rockets" (PDF). Crosslink. El Segundo, California: The Aerospace Corporation. 5 (1): 26–29. Retrieved July 3, 2013. ^ Woods, W. David; Turhanov, Alexandr; Waugh, Lennox J., eds. (2016). "Launch and Reaching Earth Orbit". Apollo 13 Flight Journal. Retrieved August 5, 2019. ^ Atkinson, Nancy (April 14, 2010). "13 things that saved Apollo 13, Part 5: Unexplained shutdown of the Saturn V center engine". Retrieved September 16, 2019. ^ a b Orloff & Harland 2006, p. 367. ^ "Day 2: Midcourse correction 2 on TV". Retrieved August 7, 2019. ^ Robin Wheeler (2009). "Apollo lunar landing launch window: The controlling factors and constraints". Retrieved December 2, 2019. ^ NASA 1970, p. 8. ^ Woods, W. "Day 3: Before the storm". Retrieved August 27, 2019. ^ Houston, Heflin & Aaron 2015, p. 206. ^ Chaikin 1998, pp. 285–287. ^ a b c d e f Woods, W. David; Kemppanen, Johannes; Turhanov, Alexander; Waugh, Lennox J. (May 30, 2017). "Day 3: 'Houston, we've had a problem ' ". Retrieved August 18, 2019. ^ a b Chaikin 1998, p. 292. ^ a b Houston, Heflin & Aaron 2015, p. 207. ^ Orloff & Harland 2006, p. 368. ^ Orloff 2000, pp. 152–157. ^ Accident report, p. 4-44. ^ Chaikin 1998, p. 293. ^ a b Chaikin 1998, pp. 293–294. ^ Houston, Heflin & Aaron 2015, p. 215. ^ Chaikin 1998, p. 299. ^ a b c d Cass, Stephen (April 1, 2005). "Houston, we have a solution, part 2". Retrieved August 31, 2019. ^ Lovell & Kluger 2000, pp. 83–87. ^ a b "Apollo 13 Lunar Module/ALSEP". NASA Space Science Data Coordinated Archive. Retrieved October 31, 2009. ^ Chaikin 1998, pp. 297–298. ^ Orloff & Harland 2006, p. 369. ^ Glenday 2010, p. 13. ^ Adamo 2009, p. 37. ^ Adamo 2009, p. 41. ^ a b c d "Day 4: Leaving the Moon". Retrieved September 7, 2019. ^ Cooper 2013, pp. 84–86. ^ Houston, Heflin & Aaron 2015, pp. 221–222. ^ Orloff & Harland 2006, p. 391. ^ Houston, Heflin & Aaron 2015, p. 224. ^ Pothier, Richard (April 16, 1970). "Astronauts Beat Air Crisis By Do-It-Yourself Gadget". Detroit Free Press. Detroit, Michigan. p. 12-C – via ^ Barell 2016, p. 154. ^ Cortright 1975, pp. 257–262. ^ Mission Operations Report 1970, pp. III‑17, III-33, III-40. ^ Cortright 1975, pp. 254–257. ^ a b Jones, Eric M. (January 4, 2006). "The frustrations of Fra Mauro: Part I". Retrieved September 7, 2019. ^ a b c Cortright 1975, pp. 262–263. ^ Kennedy, A. R. (2014). "Biological effects of space radiation and development of effective countermeasures" (PDF). Life Sciences in Space Research (1): 10–43. doi: 10. 1016/. ^ Cortright 1975, pp. 257–263. ^ Siceloff, Steven (September 20, 2007). "Generation Constellation Learns about Apollo 13". Constellation Program. Retrieved September 7, 2019. ^ a b c d e Cass, Stephen (April 1, 2005). "Houston, we have a solution, part 3". Retrieved September 8, 2019. ^ Leopold, George (March 17, 2009). "Power engineer: Video interview with Apollo astronaut Ken Mattingly". EE Times. UMB Tech. Retrieved August 14, 2010. ^ Orloff & Harland 2006, pp. 370–371. ^ "Bernard Etkin helped avert Apollo 13 tragedy". The Globe and Mail. Retrieved September 7, 2019. ^ "Impact Sites of Apollo LM Ascent and SIVB Stages". Retrieved August 27, 2019. ^ Pappalardo, Joe (May 1, 2007). "Did Ron Howard exaggerate the reentry scene in the movie Apollo 13? ". Washington, D. C. : Smithsonian Institution. Retrieved September 8, 2019. ^ & Apollo 13 Mission Report 1970, p. 1-2. ^ Orloff & Harland 2006, p. 371. ^ "Heroes of Apollo 13 Welcomed by President and Loved Ones". The Philadelphia Enquirer. Philadelphia, Pennsylvania. Associated Press. April 19, 1970. p. 1 – via ^ Apollo 13 Mission Report 1970, p. 10-5. ^ "Behind the Scenes of Apollo 13". Richard Nixon Foundation. April 11, 2016. Retrieved June 27, 2019. ^ "Remarks on Presenting the Presidential Medal of Freedom to Apollo 13 Mission Operations Team in Houston". The American Presidency Project. Retrieved December 27, 2017. ^ a b c NASA 1970, p. 15. ^ Benson & Faherty 1979, pp. 489–494. ^ Chaikin 1998, p. 316. ^ Gould, Jack (April 18, 1970). "TV: Millions of viewers end vigil for Apollo 13". p. 59. ^ Accident report, pp. 1-1–1-4. ^ Accident report, p. 15. ^ Accident report, p. 4-36. ^ Orloff & Harland 2006, pp. 372–373. ^ Accident report, pp. 5-6–5-7, 5-12–5-13. ^ Accident report, p. 4-37. ^ Accident report, p. 4-40. ^ Orloff & Harland 2006, p. 372. ^ Accident report, p. 4-43. ^ a b Orloff & Harland 2006, p. 375. ^ Accident report, p. ii. ^ Accident report, p. 4-2. ^ a b Accident report, p. 4-23. ^ Orloff & Harland 2006, p. 374. ^ Accident report, pp. 4-19, 4-21. ^ Chaikin 1998, pp. 330–331. ^ Williams, David R. "The Apollo 13 Accident". Retrieved December 31, 2012. ^ Chaikin 1998, p. 333. ^ Accident report, appendix F–H, pp. F-48–F-49. ^ Accident report, appendix F–H, pp. F-70–F-82. ^ a b Gatland 1976, p. 281. ^ Apollo 14 Press Kit 1971, pp. 96–97. ^ Apollo 14 Press Kit 1971, pp. 96–98. ^ Apollo 14 Press Kit 1971, p. 95. ^ "Apollo 14 mission". USRA. Lunar and Planetary Institute. Retrieved September 15, 2019. ^ Jones, Eric M., ed. (January 12, 2016). "Landing at Far Mauro". Apollo 14 Lunar Surface Journal. Retrieved November 24, 2019. ^ Jones, Eric M., ed. (September 29, 2017). "Climbing Cone Ridge – where are we? ". Retrieved November 24, 2019. ^ "Astronaut Bio: James A. Lovell". Archived from the original on January 12, 2017. Retrieved December 16, 2016. ^ Carney, Emily (August 29, 2014). "For Jack Swigert, on his 83rd birthday". AmericaSpace. Retrieved November 24, 2019. ^ Howell, Elizabeth (March 20, 2013). "Astronaut Fred Haise: Apollo 13 Crewmember".. Retrieved November 24, 2019. ^ a b "Apollo 13 mission: Science experiments". Retrieved August 8, 2019. ^ Harland 1999, p. 50. ^ "Apollo 13 Capsule Headed for Kansas". The Manhattan Mercury. Manhattan, Kansas. December 29, 1996. p. A2 – via ^ Cortright 1975, pp. 247–249. ^ Shiflett, Kim (April 17, 2015). "Members of Apollo 13 Team Reflect on 'NASA's Finest Hour ' ". Retrieved June 16, 2018. ^ Foerman, Paul; Thompson, Lacy, eds. (April 2010). "Apollo 13 – NASA's 'successful failure ' " (PDF). Lagniappe. Hancock County, Mississippi: John C. Stennis Space Center. 5 (4): 5–7. Retrieved July 4, 2013. ^ Seil, Bill (July 5, 2005). "NASA's Finest Hour: Sy Liebergot recalls the race to save Apollo 13" (PDF). Boeing News Now. Boeing Company. Archived from the original (PDF) on April 9, 2012. ^ Chaikin 1998, p. 335. ^ Burgess 2019, p. 23. ^ Compton 1989, pp. 196–199. ^ Houston, Heflin & Aaron 2015, p. 199. ^ a b c Launius 2019, p. 187. ^ Chaikin 1998, p. 336. ^ Burgess 2019, pp. 22–27. ^ "Apollo 13 Movie Irks Lovell". The South Bend Tribune. South Bend, Indiana. February 28, 1974. p. 5 – via ^ Rosenwald, Michael S. (April 13, 2017). " ' Houston, we have a problem': The amazing history of the iconic Apollo 13 misquote". The Washington Post. Archived from the original on May 21, 2019. ^ Meades, Jonathan (March 26, 1978). "The Week in View". The Observer. London, England. p. 29 – via ^ "Wednesday Highlights". TV Week. Chicago, Illinois. July 17, 1994. p. 25 – via ^ "Space Specials at a Glance". Florida Today. Cocoa, Florida. p. 3 – via ^ Dunn, Marcia (December 11, 1994). "Lovell Describes the Dark Side of Moon Shots". The Post-Crescent. Appleton, Wisconsin. p. F-8 – via ^ a b Granath, Bob (April 17, 2015). Retrieved July 1, 2019. ^ "The Winners". The Herald-Palladium. Saint Joseph, Michigan. March 26, 1996. p. 4B – via ^ Barnes, Harper (February 14, 1996). " ' Braveheart', 'Apollo 13' Lead Oscar Nominees". St. Louis Post Dispatch. Louis, Missouri. p. 4A – via ^ Sterngold, James (April 5, 1998). "Tom Hanks Flies us to the Moon via HBO". Santa Cruz Sentinel. Santa Cruz, California. p. C-6 – via Sources Adamo, Daniel (2009). "The Elusive Human Maximum Altitude Record". Quest: The History of Spaceflight Quarterly. Vol. 16 no. 4. ISSN 1065-7738. Apollo 13 Press Kit (PDF). : NASA. 1970. 70-50K. Apollo 14 Press Kit (PDF). 1971. 71-3K. Apollo Program Summary Report (PDF) (Report). National Aeronautics and Space Administration. 1975. JSC-09423. Barell, John (2016). Antarctic Adventures: Life Lessons from Polar Explorers. Balboa Press. ISBN 978-1-5043-6651-9. Benson, Charles D. ; Faherty, William Barnaby (1978). Moonport: A History of Apollo Launch Facilities and Operations (PDF). NASA History Series. SP-4204. Brooks, Courtney G. ; Grimwood, James M. ; Swenson, Loyd S. Jr. (1979). Chariots for Apollo: A History of Manned Lunar Spacecraft (PDF). : Scientific and Technical Information Branch, NASA. ISBN 978-0-486-46756-6. LCCN 79001042. OCLC 4664449. NASA SP-4205. Burgess, Colin (2019). Shattered Dreams: The Lost and Canceled Space Missions (eBook ed. ). Lincoln, Nebraska: University of Nebraska Press. ISBN 978-1-4962-1422-5. Chaikin, Andrew (1998) [1994]. A Man on the Moon: The Voyages of the Apollo Astronauts. New York: Penguin Books. ISBN 978-0-14-024146-4. Compton, William David (1989). Where No Man has Gone Before: A History of Apollo Lunar Exploration Missions. OCLC 1045558568. SP-4214. Cooper, Henry S. F. (2013) [1972]. Thirteen: The Apollo Mission that Failed. New York: Open Road Integrated Media, Inc. ISBN 978-1-4804-6221-2. Cortright, Edgar M. (June 15, 1970). Report of Apollo 13 Review Board (PDF). NASA. Report of Apollo 13 Review Board, appendix F–H (PDF). Driscoll, Everly (April 4, 1970). "Apollo 13 to the highlands". Science News. 97 (14): 353–355. 2307/3954891. JSTOR 3954891. (subscription required) Flight Control Division (April 1970). Mission Operations Report (PDF). Houston, Texas: NASA Manned Spacecraft Center. Gatland, Kenneth (1976). Manned Spacecraft (Second ed. New York: MacMillan. ISBN 978-0-02-542820-1. Glenday, Craig, ed. (2010). Guinness World Records 2010. New York: Bantam Books. ISBN 978-0-553-59337-2. Harland, David (1999). Exploring the Moon: The Apollo Expeditions. London; New York: Springer. ISBN 978-1-85233-099-6. Houston, Rick; Heflin, J. Milt; Aaron, John (2015). Go, Flight! : the Unsung Heroes of Mission Control, 1965–1992 (eBook ed. ISBN 978-0-8032-8494-4. Houston, We've Got a Problem (PDF). : NASA Office of Public Affairs. EP-76. Kranz, Gene (2000). Failure Is Not an Option: Mission Control from Mercury to Apollo 13 and Beyond. New York: Simon & Schuster. ISBN 978-0-7432-0079-0. Larsen, Curtis E. (May 22, 2008). NASA Experience with Pogo in Human Spaceflight Vehicles (PDF). NATO RTO Symposium ATV-152 on Limit-Cycle Oscillations and Other Amplitude-Limited, Self-Excited Vibrations. NASA Johnson Space Center. Norway. RTO-MP-AVT-152. Lattimer, Dick (1988) [1983]. All We Did Was Fly to the Moon. History-alive series. 1. Foreword by James A. Michener (2nd ed. Gainesville, Florida: Whispering Eagle Press. ISBN 978-0-9611228-0-5. LCCN 85222271. Launius, Roger D. (2019). Reaching for the Moon: A Short History of the Space Race (eBook ed. New Haven, Connecticut: Yale University Press. ISBN 978-0-300-24516-5. Lovell, James A. (1975). "Chapter 13: "Houston, We've Had a Problem " " (PDF). In Cortright, Edgar M. (ed. Apollo Expeditions to the Moon (PDF). SP-350. Lovell, Jim; Kluger, Jeffrey (2000) [1994]. Lost Moon: The Perilous Voyage of Apollo 13. Boston: Houghton Mifflin. ISBN 978-0-618-05665-1. Mission Evaluation Team (September 1970). Apollo 13 Mission Report (PDF). Houston, Texas: NASA Manned Spacecraft Center. MSC-02680. Morgan, Clay (2001). Shuttle–Mir (PDF). SP-4225. Orloff, Richard W. ; Harland, David M. (2006). Apollo: The Definitive Sourcebook. Chichester, UK: Praxis Publishing Company. ISBN 978-0-387-30043-6. Orloff, Richard W. (2000). Apollo by the Numbers: A Statistical Reference (PDF). : NASA History Division, Office of Policy and Plans. ISBN 978-0-16-050631-4. LCCN 00061677. OCLC 829406439. NASA SP-2000-4029. Phinney, William C. (2015). Science Training History of the Apollo Astronauts (PDF). SP-2015-626. Slayton, Donald K. "Deke"; Cassutt, Michael (1994). Deke! U. Manned Space: From Mercury to the Shuttle (1st ed. New York: Forge. ISBN 978-0-312-85503-1. Turnill, Reginald (2003). The Moonlandings: An Eyewitness Account. New York: Cambridge University Press. ISBN 978-0-521-03535-4. External links Wikimedia Commons has media related to Apollo 13. Wikiquote has quotations related to: Apollo 13 NASA reports "Apollo 13: Lunar exploration experiments and photography summary" (Original mission as planned) (PDF) NASA, February 1970 "Apollo 13 Technical Air-to-Ground Voice Transcription" (PDF) NASA, April 1970 Multimedia "Space Educators' Handbook Apollo 13" at NASA "Apollo 13: LIFE With the Lovell Family During 'NASA's Finest Hour'" – slideshow by Life magazine "Apollo 13: NASA's Finest Hour" – slideshow by Life magazine at the Internet Archive.

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Best true science fiction movies. True fiction full movie. True fiction 2019 movie. True fiction movie korean summary. True Fiction. True fiction movie. True fiction movie 2018. True fiction movie review. Edit Storyline Avery Malone, a wannabe writer and lonely librarian, gets her big break when she's hand-selected to assist her hero, reclusive author, Caleb Conrad. Whisked away to Caleb's remote estate, Avery is given her one and only task; to participate in a controlled psychological experiment in fear that will serve as the basis for Caleb's next novel. Plot Summary | Add Synopsis Taglines: Burn Your Idols Details Release Date: 21 February 2020 (USA) See more » Also Known As: True Fiction Company Credits Technical Specs See full technical specs ».

Avery becomes an assistant for a reclusive novelist but soon finds herself in a psychological experiment that is inspiration for his new novel. Avery Malone, a social ghost and struggling writer, lands the opportunity of a lifetime in assisting the world-famous, reclusive horror writer, Caleb Conrad, in writing his latest novel. Desperate to reclaim his former glory, Caleb proposes a psychological experiment to study true fear with Avery as his guinea pig. Diving into Avery’s torn psyche, strange happenings begin to occur in Caleb’s remote cabin estate. As the lines between fact and fiction blur, Avery suspects her boss may not be who he says he is but a killer inspired by Caleb’s novels. Pushed past her breaking point, Avery seemingly confirms her suspicions and turns the tables on her captor. Constantly torn between what is real or part of the experiment, Avery will do whatever it takes to fulfill her duties and finish Caleb’s most gruesome novel yet. Shot in Calgary, Canadian writer/director Braden Croft's TRUE FICTION is a terrifying and claustrophobic psychological thriller. Writer & Director Braden Croft and several Cast & Crew are in attendance for the Sep. 26 screening; Q&A to follow. Festivals Fantaspoa, London FrightFest Director Braden Croft Executive Producer Laurie Venning, Wayne Bosse, Todd Carrier Producer Julian Black Antelope, Michael Peterson, Sheiny Satanove, Sarah Moore Screenwriter Cinematographer Ian Lister Editor Cast Sara Garcia, John Cassini, Julian Richings.

True O&nli'ne "Hindi& HBO& 2018 Online Read more there #TrueFiction. Blind Dancer- Short Film by Maria Lloyd - Trailer True Fiction is an independent production company based in Oslo, Norway. Since 1997 we have produced documentaries and animated short films for a wide audience, both for television and festivals around the world. We have specialised in making documentary films and animated documentaries, and we are passionate about strong stories based in real life. Heart of Gold / Hjerte av gull - Dir: Cecilie Bjørnaraa - 2017, DCP, 55 min NEWS: ​ March 19th 2019 Yess! "Deconstruction" by Julie Engaas receives funding from Viken Film Center from film commissioner Cecilie Stranger-Thorsen. We are grateful and exited to make this film! March 15th 2019 "Deconstruction" a new short film by Julie Engaas, receives funding f rom NFI and filmcommissioner Lars Daniel Krutzkoff Jacobsen. Big thanks!! February 12th 2019 The documentary "The Subharchord - The Child of a Golden Age" wins the IMZ Avant Premiere pitching competition in Berlin. February 11th 2019 "The Subharchord - The Child of a Golden Age" is pitched in Berlin at the IMZ Avant Premiere + Sunny Side of the Doc pitching session. December 16th 2018 The new short film "Dependance" by Maria Lloyd receives production funding from Norwegian Film I nstitute talent program "Nye Veier" November 8th 2018 The documentary "The Trainer receives developement funding from Viken Film Center and film comissioner Jan Dalchow. June 13th 2018 "Blind Dancer" is screened at The Norwegian Short Film Festival in Grimstad, program KD1, Short Documentaries at 20. 00 June 7th 2018 "Blind Dancer" will be screened at OsloPIX at Klingenberg 4, Oslo, at 18. 00. May 26th 2018 "Blind Dancer" will be screened at Cinemateket Filmens Hus at 17. 00. The screening is a part of CODA International Dance Festival, free entrance. May 6th 2018 "Blind Dancer" receives Honorary Mention from the Nordic / Docs jury. May 4th 2018 "Blind Dancer" is screened at Nordic / Docs in Fredrikstad Kino at 16. 15 April 25th 2018 "Heart of Gold" receives the Gullruten Award for Best Original Music, by Jon Platou Selvig April 10th 2018 "Blind Dancer" by Maria Lloyd is selected and nominated for the Best Short Documentary Award at the Norwegian Short Film Festival in Grimstad. March 22nd 2018 "Heart of Gold" in nominated for the Gullruten Award for Best Original Music, composed by Jon Platou Selvig March 17th 2018 "Blind Dancer" by Maria Lloyd is pre-screened at Cinedans Dance for Screen Film festival at 18. 15 at the Eye in Amsterdam. Director Maria Lloyd and actor and dancer Hege Finnset Eidseter are present at the screening and Q&A. February 24th 2018 "Heart of Gold is screened at Stockholm Feminist Film Festival, at 12. 15 at Zita, Folkets Bio. December 12th 2017 "Heart of Gold" is screened at NRK 1 at 21. 30 PM (Norwegian Boradcasting) July 23rd 2017 In a few years everything will be different by Julie Engaas wins the Best Short film award at SiciliAmbiente Documentary film festival in Sicily. June 2017 In a few years everything will be different is selected for this years Nordic Panorama Film festival, nominated in the Best Nordic Short Film cathegory. The festival will take place in Malmö 21-27 September 2017. June 16th 2017 Heart of Gold premieres at The Norwegian Short film festival in Grimstad. June 12th 2017 In a few years everything will be different premieres at the new film festival in Oslo - OsloPIX. April 11th 2017 True Fiction receives support from VIken Film Center for Blind Dancer, a new short film by Maria Lloyd January 23rd 2017 Monalisa Story is nominated for Guldbagge 2017 Award for Best Documentary January 13th 2017 True Fiction receives funding from the Norwegian Film Institute for a new dance film by director Maria Lloyd - "Blind Dancer" November 16th 2016 The new short film by Julie Engaas "In a few years everything will be different" is screened at Blått Lerret, Parkteateret Oslo, with a short introduction by Kalle Løchen and t he film team. July 26th 2016 Monalisa Story (co-production) by Jessica Nettelbladt is nominated for the award Best Nordic Documentary at Nordic Panorama in September 2016. July 19th 2016 O Christmas Tree / Du Grønne, Glitrende is screened at SicilyAmbiente documentary film festival in San Vito lo Capo in Sicily, Italy. May 28th 2016 Nina Bergströms documentary "Dad" receives Honorary mention and Jessica Nettelblads "Monalisa Story" (co-production) wins the Jurys Special Award at Nordic/Docs, Fredrikstad.. Nina Bergströms new documentary film "Dad" / "Pappa" premieres at Nordic/ Docs in Fredrikstad. The co-production MonaLisa Story have Norwegian premiere at Nordic/Docs in Fredrikstad. December 12th 2015 Du Grønne, Glitrende wins the Best Animation prize at the 4th Mumbai International Short Film Festival, India. December 2nd 2015 is in the Official Selection of the 4th Mumbai International Short Film Festival, India. is screened at the 33'th International Young Audience Film Festival Ale Kino, Poland. In competition. November 2015 is selected for the In the Palace Short Film Festival, Sofia, Bulgaria. is selected for the 33'th International Young Audience Film Festival Ale Kino, Poland. In competition. April 2015 is screened at KICFF - Kristiansand International Childrens Film Festival. January 2015 Du Grønne, Glitrende is screened at TIFF - Tromsø International Film Festival, at their outdoor cinema. December 17th 2014: Du Grønne, Glitrende premieres at Filmens Hus in Oslo, in the short-film program JuleKort, at 7pm. This is an animated short-film for children, directed and animated by Erik Sjølander. Two Christmas Trees falls in love and are enjoying their quiet life in the forest. Suddenly something happens that changes everything. December 6th 2014: The Subharchord receives support from Fund for Sound and Image (Fond for lyd og bilde). November 2014: The animated short-film O Christmas Tree receives supprt from Viken Filmsenter. Thanks! June 6th 2014: We receive support from the Norwegian Film Institute for our next production "In a few years everything will be different", an animated short written and directed by Julie Engaas. May 8th 2014: Blame it on the Seagull is screened at Nordic Docs in Fredrikstad, in the special program Young people with challenges. March 21th 2014: Blame it on the Seagull is screened at Eurodok European Documentary Film Festival at Filmens Hus in Oslo, followed by Q&A with Pelle Sandstrak and the film team. March 16th 2014: Blame it on the Seagull wins the Best Norwegian Film Prize at Minimalen Short Film Festival in Trondheim. January 17th 2014: Blame it on the Seagull is screened at the Sundance Film Festival, Park City, Utah. Redstone Cinema 6 pm. Please see further info at: December 10th 2013: The animated documentary Blame it on the Seagull (Det var ikke jeg, det var fiskmåsen) directed by Juie Engaas is selected for Sundance Film Festiavl, Park CIty Utah. November 5th 2013: The documentary project - The Subharchord receicves production funding from the Norwegian Film Institute. September 2013: is screened at Nordic Panorama in Malmø, in competition in the short film program. June 15th 2013: Blame it on the Seagull by Julie Engaas premieres at The Norwegian Short Film Festival in Grimstad.

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Name: True Fiction Original name: Murder Novel | 살인소설 Director: Kim Jin-Mook Cast: Ji Hyun-Woo, Oh Man-Seok, Lee Na-Ra Release year: 2018 Runtime: 102 min Status: Complete Country: Korean Subtitles: English Genre: Thriller Plot Kyung-Seok (Oh Man-Seok) is nominated as the mayoral candidate by the incumbent party. He is enjoying the best moment of his life. Kyung-Seok visits a villa to hide his father-in-law's secret fund. There, he meets Soon-Tae (Ji Hyun-Woo) and Kyung-Seok gets involved in a shocking incident. True Fiction Rating: 6 out of 10 ( 20 votes) You didn't vote on this yet. List Episode.

 




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  1. Published by: Ross Kelly
  2. Biography: I became enamored with writing fiction in Santa Cruz when I was about nineteen years old and have been writing short fiction ever since.

 

True Fiction Rated 4.7 / 5 based on 236 reviews.

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2019

ratings 7,3 of 10 Star

Runtime 99Min

Genre Drama

Ricky Tollman

Movies | ‘Run This Town’ Review: What Happens When the Mayor Smokes Crack? A Canadian scandal is the inspiration for this film about a struggling young journalist and aspiring political operatives. Credit... Oscilloscope/Quiver Distribution Run This Town Directed by Ricky Tollman Drama R 1h 39m “Run This Town, ” a jagged, snappy procedural that splits its time between a downsizing newspaper and a dysfunctional city government, is a fictionalized account of an actual scandal. In 2013, The Toronto Star and Gawker both said their reporters had watched a video that appeared to show Toronto’s mayor, Rob Ford, smoking crack. Six months later, he admitted to having used the drug, but did not resign. Bram (Ben Platt), a young journalist who writes listicles for a Toronto news outlet, is clearly out of his depth when he meets a potential source who wants to sell him the video. The movie, which ends with Bram delivering a self-righteous, mostly unmotivated defense of his generation’s work ethic, takes a weirdly sympathetic attitude toward his stumbles. The film is much sharper at city hall, where the two other major characters work. Kamal (Mena Massoud), the special assistant to the mayor, gleefully demonstrates his reporter-stonewalling strategies to Ashley (Nina Dobrev), a new press aide. She eagerly runs interference for the mayor until he shows up at work drunk and grabs her lewdly. Damian Lewis plays Ford, whose name is not changed, in a surprisingly effective feat of prosthetics. Making energetic use of split screens, the writer-director Ricky Tollman shows a gift for staccato cutting and clipped dialogue, as in a spirited discussion of terminology at city hall. Tollman is savvier on such details than on the big picture: The movie never quite reconciles its assorted perspectives into a coherent point of view. Run This Town Running time: 1 hour 39 minutes. Rated R for language, inappropriate workplace behavior and talk of drugs.

 

Really with out Kanye it just isnt the same 😪. Why was a duck quacking in the background in the beginning. Does she act in pretty little liars. This gets me amped. I can never take the beginning seriously. Kanye snapped lmao. I have a football game tomorrow for the ppark tbirds fl in plant city I am pumped also no school. 涼太の髪型カッコイイ. What a load of mindless fools, soaking it all up with out a clue. Finally back on YouTube.

Who else watched this before watching PLL? 😂. Run This Town Lyrics [Produced by Kanye West & No I. D] [Intro: Rihanna] Feel it comin' in the air Hear the screams from everywhere I’m addicted to the thrill It's a dangerous love affair Can’t be scared when it goes down Got a problem, tell me now Only thing that's on my mind Is who's gon' run this town tonight We gon' run this town! [Verse 1: Jay Z] We are, yeah, I said it: we are This is Roc Nation, pledge your allegiance Get your fatigues on, all black everything Black cards, black cars, all black everything And our girls are blackbirds ridin' with they Dillingers I get more in depth if you boys really real enough This is la Familia, I'll explain later But for now, let me get back to this paper I'm a couple bands down and I'm tryin' to get back I gave Doug a grip and lost a flip for five stacks Yeah, I'm talkin' 5 comma, 6 zeros, dot zero, here Doug Back to runnin' circles round niggas, now we squared up Hold up! [Hook: Rihanna] Life’s a game, but it's not fair I break the rules, so I don’t care So I keep doin' my own thang Walkin' tall against the rain Victory’s within the mile Almost there, don’t give up now Is who’s gon' run this town tonight Heyyy, heyy, heyyy, heyy Who’s gon' run this town tonight? [Verse 2: Jay Z] You can call me Caesar, in a dark Caesar Please follow the leader, so Eric B we are Microphone fiend, this the return of the God Peace, God, ah ah, it ain't no nobody fresher I'm in Maison, ah, Martin Margiela On the table, screamin' "Fuck the other side! They're jealous! " We got a banquette full of broads They got a table full of fellas Yeah, and they ain't spendin' no cake They should throw their hand in ‘Cause they ain't got no spades Yeah, my whole team got dough So my banquette is lookin' like millionaires' row [Verse 3: Kanye West] It's crazy how you can go from bein' Joe Blow To everybody on your dick; no homo I bought my whole family whips; no Volvos Next time I’m in church: please, no photos Police escorts, everybody passports This the life that everybody ask for This the fast life, we are on a crash course What you think I rap for, to push a fuckin' Rav 4? But I know that if I stay stunting All these girls only gon' want one thing I can spend my whole life goodwill hunting Only good gon' come is this good when I'm cumming She got a ass that'll swallow up a G-string And up top, ungh, two bee stings And I'm beasting off the Riesling And my nigga just made it out the precinct We give a damn about the drama that your dude bring I'm just tryin' to change the color on your mood ring Reebok, baby, you need to try some new things Have you ever had shoes without shoe strings? "What's that, Ye? " "Baby, these heels. " "Is that a May— what?! " "Baby, these wheels. " You trippin' when you ain't sippin', have a refill You feelin' like you runnin', huh? Now you know how we feel [Outro: Jay Z & Rihanna] Whassup! Yeah, yeah, whassup! We gon' run this town tonight About “Run This Town” The three principal artists of Jay-Z’s newly-formed Roc Nation record label—Kanye West, Rihanna, and the Hov himself—announce to the world that they “run the town. ” Jay explained the clear nature of the track in an interview with Tim Westwood, saying: We basically run this town. It’s myself, Rihanna and Kanye. [That’s] pretty much it. The song made its radio debut on July 24, 2009 at 9:11am to coincide with the album’s planned release date of September 11, 2009. Rihanna’s contribution was her first musical appearance following a domestic violence altercation with her ex-boyfriend Chris Brown earlier that year. “Run This Town” was a highly successful single for Hov, peaking at #2 on the Billboard Hot 100 and topping the charts in the United Kingdom. Officially it has been certified 2x Platinum by the RIAA, with Billboard estimating sales of 3, 490, 000. RTT won two Grammy Awards in 2010, for “Best Rap/Sung Collaboration” and “Best Rap Song. ” The video game Battlefield 4 used the track as its theme song in 2013. What has Jay-Z said about the track? The Def Jam contract had run its course —ending in a great way, which never happens—and this felt like the right message to send on The Blueprint 3. The song is about the formation of Roc Nation —planting our flag in the ground. Me, aligned with the two greatest artists that I’ve found—Kanye West and Rihanna. The growth of us. It was originally a Rihanna demo but I took it in another direction. I wanted the whole song to feel like a march, a battle cry. Muhammad Ali had the shortest poem ever: ‘Me: We! ’ My statement was ‘We Are! ’ Maybe you didn’t hear me? We Are. Yeah I said it. We Are. How did Kanye feel about the track's place as a single? At a Watch the Throne listening session in 2011 Jay explained how Kanye had originally argued against releasing “Run This Town” as a Blueprint 3 single, when he became convinced that the song wasn’t a hit after watching the reaction to the record at a barbecue hosted by the Heavy Hitters. What has No I. D. said about the song? That was initially a Rihanna record. She came down to Hawaii and we did it. We did a few records for her—and two of them became ‘Run This Town’ and Drake’s ‘Find Your Love. ’ She came down and cut the record and then she passed on it. We were all like ‘What? You’re passing? ’ Jay heard it and said ‘This is my record now. ’ Then Kanye heard it and said ‘Nah, don’t give Jay that record—that’s my record. ’ [Laughs] Then Jay hits me and says, ‘Don’t let Kanye get that record. ’ So Jay got it, and Kanye ended up doing a verse. It was a memorable moment. We won a Grammy, but when you have those three on a record, you’re supposed to win a Grammy. That was a monster that didn’t sound like a commercial record. It was a pure hip-hop beat, and darker than a traditional pop record. via Complex. "Run This Town" Track Info Recorded At Roc The Mic Studios (New York City, New York); Westlake Recording Studios (Los Angeles, California); Avex Honolulu Studios (Honolulu, Hawaii) Release Date September 8, 2009.

OK I see why she was given the mtv award. Press J to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts log in sign up 1 1 Posted by 5 days ago comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by View discussions in 114 other communities no comments yet Be the first to share what you think! u/toronto_news Karma 2, 018 Cake day August 3, 2019 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved Cookies help us deliver our Services. By using our Services or clicking I agree, you agree to our use of cookies. Learn More.

 

I am back -Kisses A. Robin Doolittle wrote the book, Kevin Donovan was in the car too. But he was a seasoned reporter/investigator, not a rookie. Artistic license goes so far before it alters the story they're trying to tell. Torontonians and Canadians that lived this media nightmare day in and day out want to see accuracy to the letter. This isn't for 'us', it's for a broader audience. However, it's not telling the 'true' story. That said, I originally said I was not going to give this any thought or my money to view it, but now it looks like I might have to just to see what's wrong with it:) I'm also interested how they don't really show the mayor's face in the trailer. Mystery?

Middle east:HOW CAN I GET RID OF THIS ISIS. Philippines:Observe. List of quest that give Research Commission Ticket+ Quest: We Run This Town ★6 MR24 Require: Complete All Optional Quests Tigrex, Nargacuga, Zinogre, Brachydios, Glavenus Quest: Hymn of Moon and Sun ★6 MR125 Reward: Impact Mantle Upgrade Gold Rathian + Silver Rathalos Quest: Divine Surge ★6 MR150 Reward: Temporal Mantle Upgrade Tempered Kirin + Tempered Namielle Quest: The Storm Brings the Unexpected ★6 MR175 Reward: Affinity Booster Upgrade Tempered Kushala + Tempered Blackveil Vaal Hazak Quest: Master Hunter of the New World ★6 MR200 Reward: Gold Name Tempered Teostra + Tempered Lunastra + Tempered Velkhana + Ruiner Nerigante. Just because we buy her songs doesn't mean we own her. She a human just like you me. So we buy her songs that means she has to be full of energy every freaking time. You don't know what's going on with her maybe she had a fight lost a friend Jesus she's a human being.

Love dis anime XD. Awesome video, awesome story line, really enjoy watching it. Your demand is granted! When? i have no idea. 2020 🤔. I CAN´T STOP LISTENING THIS SONG. I LOVE THIS SONG AND I LOVE LUCY. Their chemistry is amazing! Rih is so comfortable around Jay and it's amazing that he watched her grow up 🙌🙌🙌. RIP Kobe.

Real jay-z.

 

I hope HQ doesnt stand for high quality lmao.

 

 

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The panti sisters free movie download. These men are extended empathy and compassion. In the west they're demonized as Incels. YouTube. Free sister act movie online. Aww Jiyong, such a good daddy getting healthy for Seungjae. And then give the wifey the plastic, damnn lil mommie got it like that! Ok boo. A Sister Free movie page imdb. Seungjae's mom used her free time for volunteer and work (I guess, so far) so I am glad she finally used the free time for free time. That's the point of the show. Dads take care of children alone to let moms have free time. Not all the time but once in a while (maybe just a few minutes on the show) I hope the TROS shows how the moms or some moms have fun or doing other activities (not whole day so they can enjoy the rest of free time off camera. Back to Seungjae, he is super cute and smart. He'll argue at times but if you give him reasonable reasons and examples he can be easily persuaded. 😘😘.

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I can't explain it but japanese cities have a nice aesthetic to them. I'm from South Africa and it looks so different. A Sister (2018), Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy. See also Showtimes | External Sites.

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MY SEUNGJAEEE. I CAN'T STOP SMILING WHEN I SEE HIM😍. A sister free movie theater. Geez, I'd also like to be able to live a reclusive lifestyle, so my parents pampered and provided for me. That's MY relationship with my twin sister.

 

 

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I'll never forget this. the first time i heard Linda Eder sing Man of La Mancha. Just awesome

My brain is full of this scene 😂.

At the end Cosette is like: are you done singing

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Gosh Marius no one cares about your lonley soul. Who cares about your lonely soul y i k e s. Un islamiste déguisé en laïc c'est toujours drôle. Les misérables csfd. Les misérables (2019 film. Les miserables movie. Les misérables streaming. Les Miserable. J'approuve. Les misérables (2012. Les misérables do you hear the people sing. Ok. This is my all-time favourite film, but above that it has the all-time best trailer. I'm thrilled. Les misérables dreamed a dream. Les miserables. Les miserables. Les misérables in concert: the 25th anniversary. Les miserables 2012. Les misérables tv series. Les misérables by victor hugo. Les misÃrambles and rants. Her voice could put me to sleep. Omg beautiful.

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Actually i want to hear more of the uuuh and aaah guy. Love this movie. Love this music. Love this scenes. Love this trailer. Love this actors. Love this direct. Love this people. Love this characters. Love this post. Ruthie Henshall is unbeatable, hands down. I love Lea Salonga more though. Les misérables one day more. Pes misérables 2019 soundtrack. Les misérables songs.

 

Les miserables escape route. Les misÃrables. No one comes close to Philip Quast as Javert in any of the recordings I've seen. His diction and tone conveys so much conviction and character that the character just comes alive so convincingly. Brilliant work. Tout est dans la bande annonce... Les misérables cast. Les misérables les.

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Watch`Les`Stream` Movie] Les misérables Online'2018' Full HD Stream. Les misérables 2012. #62k like. I've never seen this performance before. All I can say is, Wow! For someone who has lived past the half-century mark, this hits home particularly hard. Especially that last line! Life has killed the dreams I had as a youth. I am beyond world-weary, but manage to go on day by day. Life is a blessing for some, a tragedy for other's. Life is hard. Life is not fair. The spoiled children of today, set high upon their perch, have a a great fall coming their way. Those who make it past that event will begin to understand this song. what I'm trying to say here. That, in short, is Steel yourselves, children. Life gets more difficult as you grow older. Life will take everything you love. leave you alone in a place where NO ONE gives a damn if you live or die. I speak from personal experience! So you better learn to pick yourself up when you fall. No one else will. These blunt truths aside, Best Wishes to all. You'll need it.

 

I feel like something might have been lost in translation when it came to this movie and me. I'm not French, and admittedly am not very knowledgeable about any real life cases this movie is surely based on, or at least inspired by. I went into this looking for a compelling cop/crime movie, and appreciated it for some of its visuals, performances, and its overall message. Because yes, the topics it deals with- crime, inequality, police brutality, systemic violence and cycles of oppression etc.- are all very important. The only problem is that I don't think the film is saying anything new or particularly eye opening. The Wire has dealt with this stuff amazingly well and in much greater detail, throughout many of its episodes. Most importantly, The Wire also managed to do all this while telling fascinating stories and giving us dozens of well developed, flawed, yet interesting and frequently sympathetic characters.
More than anything else, I think this is the biggest problem with Les misérables. The writing was weak to me. Like I said, it's well shot, the acting is all pretty good, the themes are relevant, and its message an important and more than agreeable one. But I just felt it did so little to involve me as a viewer. If you compare this to something like City Of God, which has a fantastic, relentless sense of pacing and a high number of hugely emotional scenes, this movie just falls apart. The main incident that gets the plot going takes too long to happen, and then doesn't really cause the plot to build or progress. The story then comes in fits and bursts. Some scenes feel like they go on forever. The characters are incredibly one-dimensional, and none really change or grow throughout the film. The dialogue is fairly basic, and there's little in the way of humour, sadness, or tension. There feels like there's about three different endings before a more exciting climax suddenly appears. only for it to be cut short by a hugely pretentious and eye-rollingly sudden ending. Like, I get what they were saying by ending it the way they did. But it felt so cheap and unearned, especially because it had already felt like the movie had ended multiple times before that. It's barely over 100 minutes in total, but it felt more like two and a half hours.
Oh also, more of a nitpick- and certainly not a problem for those who speak French- but the subtitles weren't very well done in my opinion. They weren't bold enough, and so often when the white lettering appeared on a white or mostly white background, I couldn't read them too well. Giving them a black outline, making them bolder, or putting them on the black border at the bottom of the screen (which happens given this film is shot in a 2.35:1 aspect ratio) could have solved this.
I think there was potential here for a more compelling movie, and if you're more after a film with a powerful message that reflects and touches upon current issues, this could be worth a watch. It'll likely start conversations, and open eyes, and maybe that's enough. I just thought it largely failed as a story; as an actual film. It highlights the importance of pacing and well-developed characters more than anything else, because everything else was done quite well. It fell apart with the writing for me, but I know I'm in an extreme minority here, so if this looks interesting to you, please don't let the ignorant, random non-French guy on the Internet put you off this too badly. I just had some thoughts I had to get out I suppose, and overall, it's far from terrible, even with what I perceived to be a fairly weak screenplay.

( 1:52:24 Do You Hear the People Sing (Reprise. Just imagine how unreal that was to experience live. Pes misérables (2012.

 

Creator Michael Hows
Resume: Chart Compiler & Author of the UK's First Bubbling Under Book "Hits That Missed" ISBN 978-0-9562679-9-3 on Amazon 😎 (nom-de-plume) Mission: Fairness & Respect