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release year=2019

genre=Comedy

1 hour 12 m

Nate Gold, Jack Henry Robbins

story=12-year-old budding home video director Ralph begins accidentally taping over his parents' VHS wedding tape. As he overwrites the magnetic echoes of their pre-Ralph past, he commemorates his love affair with the format by using the versatile tape to make new memories of himself with his parents while also employing it to tape eccentric pioneers of late-night cable television. Shot entirely on VHS

audience score=92 vote

Ians Arnold impression was on point 🤣🤣.

 

Daaaaamn! This looks badass. Watch movie why him. Watch movie shesh peamim online. EDITOR: MIGUEL COTO COTO xD. VHYes. 2020. Directed by Jack Henry Robbins. Starring Kerri Kenney, Thomas Lennon, Mark Proksch, Courtney Pauroso, Charlyne Yi, John Gemberling, Mason McNulty, Rahm Braslaw, Tim Robbins, and Susan Sarandon. SYNOPSIS: This bizarre retro comedy follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents wedding tape. Jack Henry Robbins manic mixtape VHYes is an ode to 80s nostalgia, bittersweet endings, and absurd Adult Swim homages all captured on videocassette. The part anthology, part sketch comedy, part coming-of-age story is shot completely on VHS and Betacam. Fuzzy in appearance until tracking can pull optics into order, much like the films core narrative. What starts as disillusioned jokes roasting daytime television one might record for prosperity ends with unexpected purpose. A bit scattershot at times, but Robbins ensemble recalls mockudrama successes such as WNUF Halloween Special – minus the spooks, dialed into societal warnings. Our protagonist is a young child named Ralph (Mason McNulty) obsessed with his familys new camcorder. His father asks to make sure a blank tape has been inserted, but we know Ralphs recording over his parents wedding video. Cut between remembrances of marital bliss are Ralphs adventures, fake television shows, and voyeuristic trauma. A pre-teens expressive escape becomes distorted by his projected emotions, as we watch scripted serials and Ralphs recordings begin to blur the lines of reality. All from behind the lens of a camera. At first glance, VHYes positions itself as a pure comedy. Kerri Kenney softly instructs home viewers how to paint à la Bob Ross as “Joan, ” Mark Proksch appraises items as Antiques Roadshows host “Teddy, ” Courtney Pauroso and Thomas Lennon speed-talk their way through bedroom woes as home shopping hosts “Tony V” and “Cindy” – an array of funnymen and women mock cable access schlock. Quite humorously. Were talking pornos about illegal aliens and global warming edited to just the “enriching storylines. ” Sitcoms about laboratory clone siblings. Charlyne Yis basement rock show co-hosted by her parental figures. Drug dealer starter kits being sold on national broadcasting. Alone, these bits make up a humorous cavalcade of crude television characterizations worth enough entertainment value by themselves. Then things *really* get weird. As Robbins threads in Ralphs artsier nature shots and camera experimenting, we begin to pick up on cues between mother and father. Best friend Josh (Rahm Braslaw) stays rock-solid when Ralph suggests new plans – exploding fireworks to investigating haunted houses – as the duo distracts from whats zooming into focus. Were witnessing the dismantling of a relationship from Ralphs point of view, which becomes a somber undercurrent that warps intentionally juxtaposed comedy segments. “Shows” eventually start taking obscure turns, melding together, as the wedding video wraparound becomes this taunting ghost of happiness past (reminiscent to underseen indie darling Motivational Growth. Yet, theres deeper messaging still. Underneath Ralphs heartache, beyond Joans next instructional session (cooking, plumbing, sleeping, you name it) Robbins warns against permanently fixing our eyes onto a cameras viewer – or, in modern terms, falling victim to the hypnosis of screens. An interview segment describes an oncoming affliction (remember, the film is playing as 1987) called “Tape Narcissism, ” which is caused by excessive usage of cameras that “may even be able to fit in our pockets. ” I never said VHYes was subtle, and it never has to be. Robbins thematically favors personal memories over filmed home movies, as woven into the impending breakup on-screen. Its a tricky tangle of intentions, and while some execute a bit cleaner than others, the son of Tim Robbins and Susan Sarandon (cameo watch) brings a unique voice to his frenzied found footage feature. As “Too Many Cooks” vibes transition into V/H/S horrors then into transfixing out-of-body treatments akin to Red Lobster short “Great Choice, ” Robbins somehow retains a sense of humanity. While Tony V bullies Teddy, or Joan paints “moistness” as her cartoon self dunks on Dennis Rodman, or workout show “Blast Off! ” ends with violent regurgitation. Chaos consumes, calamity keeps Ralph from embracing his problems, but its all unavoidable in the end. Ralphs journey is complete, somehow, despite the billion subplots created through channel surfing. At times, VHYes feels like flipping through a TV Guide written by Mad TV staffers. Other glimpses are that of a sincere look into unexpected change and lifes unsuspecting blows. Further yet, Jack Henry Robbins begs us to throw our phones into a lockbox every so often in hopes well see the beauty of simple moments, unfiltered or touched-up by digital enhancements. VHYes can overwhelm, like a sensory bomb blasting subplot shrapnel every which way. Still, in concept and production, I respect this crazy little slice of personal growth that sticks to its old-school identity without sacrificing meaningful catharsis. Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★ Matt spends his after-work hours posting nonsense on the internet instead of sleeping like a normal human. He seems like a pretty cool guy, but dont feed him after midnight just to be safe (beers are allowed/encouraged. Follow him on Twitter/Instagram/Letterboxd ( DoNatoBomb.

Watch movie chastity with cher bono. First time I read this I thought it said “escape from Petoria”. like “I wanna go back to Quohog. 😂. Why does Jack Henry Robinson look like an off-brand Lil Dicky. Watch movie why me. Watch Full ▬MOVIES▬ VHYes (2019) ✓ Here comes to movies online. ✓ P. L. A. Y. MOVIE ►► your favorite movie. Enjoying »»» ●VHYes (2019) full movie Online 4kHD ●VHYes (2019) full movie Online FullMovie Online ●VHYes (2019) full movie Online Movies Full ●VHYes (2019) full movie Online Free Movie ●VHYes (2019) full movie Online Streaming & Online This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents wedding tape. Director: Jack Henry Robbins Writers: Nate Gold (created by) Nunzio Randazzo (created by. 3 more credits » Stars: Kerri Kenney, Thomas Lennon, Mark Proksch, See full cast & crew » Storyline This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents wedding tape. Plot Summary, Add Synopsis Plot Keywords: mexican actress playing american character, See All (1) » Genres: Comedy Parents Guide: Add content advisory for parents » Edit Details Official Sites: Official Website Country: USA Language: English Release Date: 21 September 2019 (USA) See more » Also Known As: VHYes See more » Company Credits Production Co: Hot Winter Films See more » Show more on IMDbPro » Technical Specs Runtime: 72 min Color: Color Aspect Ratio: 1. 33: 1 See full technical specs ».

Watch movie chinese woman. This is one of those trailers where the edit makes it look 100 years long. I'm addicted to found footage movies. But this is something special. A real ride. Endlich mal wieder Tino! Und Simo ist auch dabei, das freut mich. Just seen the movie. utterly AWSOME what a movie, Guy Ritchie you genius 🇬🇧. Watch movie chinese sub. Um, newsflash Tom, everyone knows the secret of putting tape over that corner space to record. Does anyone have a VHS video recorder anymore? Hence, they are attacks over at Iran, and the attack that Iran did to the u.s. Embassy, and they are taking about a vhsmovie.

 

Movies, ‘VHYes Review: Channel Surfing and Self-Soothing This visually exhausting parody of 1980s late-night television offers little more than a collage of meaningless nostalgia. Credit. Oscilloscope “VHYes” is barely 72 minutes long, but thats just one reason this outlandish picture barely qualifies as a feature. For one thing, its almost halfway through before anything approximating a story emerges; even then, its such a pale, sickly thing youd be forgiven for thinking you had imagined it. Set at the tail end of 1987 and shot entirely on VHS and Betamax tape — a gimmick your eyeballs are unlikely to appreciate — this rough, at times sophomoric comedy from Jack Henry Robbins shoots for satire and lands mostly on inanity. Unfolding as a series of fragmented sketches apparently strung together at random, the movie forces us to watch as 12-year-old Ralph (Mason McNulty) uses his new camcorder — and his parents wedding video — to tape his late-night channel surfing. Absent any clear through line, these rapid-fire, faux-retro vignettes are visually exhausting and, after a time, deeply aggravating. Their authentic ugliness cannot be overstated (as those who recall this chaotic period in after-hours television will attest) and their jokes mostly lack punch or punch lines. Spoofs of sitcoms, infomercials and true-crime shows crash into one another, buffered by forlorn snippets of the original wedding tape and clips of Ralphs interactions with his best friend, Josh (Rahm Braslaw. Occasionally, a parody is given time to land. A riff on “Antiques Roadshow, ” featuring Mark Proksch as its spectacularly ignorant host, is amusingly dumb; and a segment with Charlyne Yi as a geeky music fan, broadcasting shows from her parents basement, perfectly nails the twin public-access vibes of enthusiasm and ineptness. Mostly, though, the movie feels like an excuse to recycle material from Robbinss earlier comedy shorts: “Hot Winter” — a pornographic look at climate science — and the charmingly weird “Painting With Joan, ” featuring the divine Kerry Kenney as a P. B. S. -style artist with Dennis-Rodman-related sexual fantasies. Even when the ghost of a point materializes — that recording ephemera can be a self-soothing behavior — “VHYes” is too unsophisticated to develop it. Instead, it offers agonizingly derivative social commentary from an author (played by Mona Lee Wylde) who views our relentless taping as precipitating mankinds demise. Her predictions veer from the preposterous (crops will remain untended while farmers film their cows) to the clichéd (a celebrity will be president. None of them are funny. Little more than a collage of meaningless nostalgia, “VHYes” makes you wonder how it found its way into a movie theater. Though Im sure that has nothing to do with the fact that two of its actors, Susan Sarandon and Tim Robbins, are also the directors parents. VHYes Not rated. Running time: 1 hour 12 minutes.

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Spoiler: They escape with a flying car. FuLL HD~ WaTcH VHYes Online Full Movie For Free 2019-INSTANT. uHD. How to Watch VHYes Online Free? DVD-ENGLISH] VHYes Full Movie Watch online free HQ HQ [DvdRip-USA eng subs] VHYes! Full Movie Watch #VHYes online free 123 Movies Online! VHYes, Watch VHYes Online 2019 Full Movie Free HD. 1080px, Watch VHYes Online 2019 Full MovieS Free HD! VHYes with English Subtitles ready for download, VHYes 2019 720p, 1080p, BrRip, DvdRip, Youtube, Reddit, Multilanguage and High Quality. Watch Now ▶️ ▶️ Download Now ▶️▶️ “VHYes” For a semi-retired super assassin whos killed more people than the Bubonic plague, John Wick (Keanu Reeves) is actually a pretty relatable guy. Beneath the concave cheekbones, the magical handguns with infinite bullet capacity, and the byzantine criminal underworld that stretches to every corner of the globe, hes just a monosyllabic middle-aged man who wants to be left the fuck alone. When the first movie of this increasingly ridiculous saga began, Mr. Wick was grieving his wifes death in peace — then some Russian mobsters made the mistake of killing his dog (her name was Daisy, and she was very cute. This aggression, unknowingly committed against a man so dangerous that he used to be known as “Baba Yaga, ” forced John back into the network of contract killers hed once left behind. And ever since the shadowy crime lords of the High Table sniffed blood, they havent lost the scent or minded their own business. At the end of “VHYes, ” our laconic hero committed a big no-no by shooting a pest on the consecrated grounds of the Continental Hotel, but desperate times call for desperate measures, and every New Yorker knows what its like when the world gets a bit too close for comfort. Giddy, exhausting, and breathtakingly violent, “VHYes” begins a few seconds after the previous installment left off, with the excommunicated assassin trying to make the most of the hour-long headstart hes been given to hide before the 14 million bounty on his head is triggered and the entire criminal underworld comes after him. Of course, anyone whos seen the previous films in this unexpected franchise knows that its criminal underworld is more of an overworld, and that almost every featured extra? —? from street vendors and waiters to dog-walkers and homeless people? —? is a heat-packing hired gun who uses their role in the capitalist system as a disguise for their deeper allegiance to a veiled society that operates on an ancient market of codes and blood oaths. Now that Mr. Wick is square in the middle of all of those crosshairs, its become comically impossible for the deathless widower to find the solace he seeks. Hes a target, and it seems like the entire world has its finger on the trigger; he used to be anonymous, but now hes a celebrity. In its most enjoyably demented moments, “Parabellum” is nothing short of a non-stop metaphor for being famous. Less artful but more concussive than its immediate predecessor, this latest outing finds Mr. Wick being clocked by strangers every time he enters a room, stalked by his biggest fans, and so desperate for someone who will treat him like an actual human being that he travels all the way to the Sahara Desert to find them. Everyone in the world knows him by name, New York City is the only place on Earth he can hide in plain sight, and the perks of his job dont seem to compare with the harassment that comes with them. As Wick stumbles through the wet neon streets of Times Square — returning us to a surprisingly involved film world that flows like “The Raid” and looks like a hyper-saturated Instagram feed? —? its hard not to think of Reeves recent experience on a malfunctioning airplane, and how even that death-defying ordeal was turned into a viral moment (to the actors mild chagrin. Reeves once said that Wick was 40% him, but that number seems to have crept up a bit this time around. No movie has ever expressed the fight for anonymity with such viscerally literal force. True to the serialized nature of its title, “VHYes” starts in media res and ends on a cliffhanger. For an 131-minute film that devotes roughly 110 minutes of its runtime to people shooting each other in the head at close range, it would be almost impossible to follow for someone who isnt up to speed. Still, the gist of the plot is pretty simple: John Wick kills a lot of people. Like, a lot of people. By the end of “Parabellum, ” hes basically the leading cause of death in henchmen between the ages of 25 and 50. More of a one-man massacre than ever before (but just raggedy enough to keep things “real”) Mr. Wick fights in a punishingly brutal style that builds on what director Chad Stahelski invented for the character in the previous films. This is a character who appears to know every single language under the sun, but violence is the most expressive part of his vocabulary (Reeves speaks maybe 100 words in the entire movie. Chinese wushu, Japanese judo, Southeast Asian silat, American Glock… Wick is fluent in them all. But while Stahelski and his team have obviously put a great deal of thought into every frame of fisticuffs, “Parabellum” is so relentless that it often devolves into a numbing flurry of shoulder flips and headshots. If “Chapter 2” bordered on high art for how cleverly it weaved tactical shootouts into public locations (and made every fight operate like an organic bit of world-building) “Chapter 3” is more out in the open. A sneaky little skirmish in Grand Central Station doesnt live up to Stahelskis creative potential, even if its amazing they pulled off the scene at all. Elsewhere, a motorcycle chase along an empty Manhattan bridge is too rushed and blurry to deliver the “Fury Road” ferocity it teases, and the climactic brawl? —? which makes great use of some familiar faces, and hinges on a funny dynamic of mutual respect — is overwhelmed by a set that looks like a high-end watch commercial, and feels like a watered-down retread of the house of mirrors sequence from the end of the previous movie. Driven by a profound respect for the expressive power of beating someone to death, and empowered by their 54-year-old stars remarkable skill and commitment, Stahelski and the other poets of percussive carnage that work at his 87Eleven Productions are still (a severed) head and shoulders above the rest of Hollywoods stunt community. But they can do more with this character, even if it means slowing things down and widening them out. To that end, its telling that the most exciting brawl in “Parabellum” (with the possible exception of a knife fight in a Chinatown antiques store) maintains a more expansive vision, as Mr. Wick fights alongside Halle Berry and some four-legged sidekicks. Traveling to Casablanca for reasons that are never adequately explained, Mr. Wick meets up with an assassin named Sofia who owns a pair of well-trained Malinois dogs; like every other supporting character in this movie, theres mixed blood between them, and she owes him something for some reason. There are coins and seals and lots of jibber jabber about High Table manners and then “VHYes” star Jerome Flynn shows up as a Bronn-like business type whos a bit too greedy for his own good (its hard to tell what accent Flynn is doing here, but hes most definitely doing it. When the bullets fly, Sofias very VHYes lend a valuable assist, and Stahelski has to open things up in order to frame the dogs as they chew on fresh corpses. The sequence is very “John Wick” and horribly terrific in a hand-over-your-mouth kind of way; it does more than any of the tossed-off business with the Bowery King (Laurence Fishburn) or the Continental Hotel owner (Ian McShane) to whet our appetites for another adventure. Anjelica Huston is also somewhat wasted as the matriarch of a Harlem ballet academy with ties to Wicks past, but her scenes are so immaculately shot that youre willing to let it slide. In a film that plays fast and loose with NYC geography, all is forgiven by turning 175th streets United Palace into the “Tarkovsky Theater, ” where people are trained to be killers in between performances of “Swan Lake. ” Stream Free Movies & TV Show The films world-building works best in small doses. A meeting in the middle of the desert is a total dead end, whereas all sorts of fun details can be inferred from Stahelskis frequent cutaways to the High Table nerve center, where dozens of tattooed and lip-glossed workers monitor Wicks bounty with an old-fashioned switchboard (imagine a SuicideGirls reboot of “Mad Men” and youll have the right idea. Non-binary “Billions” star Asia Kate Dillon plays a stiff and slinky High Table adjudicator whos covered in Thierry Mugler coture; part referee and part femme fatale, their performance speaks to an underworld thats sustained by a mutual respect for all people so long as they dont shoot the wrong target. While this franchise is starting to feel a bit long in the tooth, such details suggest that screenwriter Derek Kolstad (here sharing credit with three other scribes) can still mine this world for plenty of new life, so long as future installments find a way to deepen the John Wick mythos instead of just stretching it out. With the significant exception of “Mission: Impossible, ” this is easily the best action franchise Hollywood has going these days, and it would be great for it to keep going with renewed focus. The fact that Keanu Reeves is nearing 60 wont matter to his fans. For one thing, the man is seemingly ageless. For another, retirement no longer seems like a realistic option for a guy who still gets recognized everywhere he goes. It doesnt matter if youre a Hollywood star or a 14 million bounty — fame can be a difficult thing to shake. Its a work-or-die world, and being forgotten is neither on the table nor under it. 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14:53 i thought shane was coughing to the beat xD. Best ins an interesting chocíce of word. Watch movie chasing liberty. VHYes (2020) Movie Trailer Watch the Trailer of this Movie: A bizarre retro comedy shot entirely on VHS, VHYes takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralphs reality. Starring KERRI KENNEY, CHARLYNE YI, COURTNEY PAUROSO, THOMAS LENNON, MARK PROKSCH, MASON MCNULTY, RAHM BERKSHAW Music by WEYES BLOOD & PRETTIEST EYES A film by JACK HENRY ROBBINS In Select Theaters January 17th, 2020.

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